샌디에이고로 향하던 베키와 칼 남매는 풀숲에서 도와달라고 외치는 남자아이의 목소리를 듣는다. 그들은 망설임 없이 길 잃은 아이를 구하러 들어갔다가 결국 풀숲에 갇혀버리고 만다. 그리고 어떤 사악한 힘이 남매를 끌어들였음을 느낀다. 두려움에 사로잡힌 베키와 칼은 높은 풀 속에서 빠져나가려고 발버둥 치지만, 더 끔찍한 사실을 깨닫는다. 진정한 공포는 풀이 아니라 그 속에서 마주치는 낯선 사람이라는 것을.
Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely animated, Kago's sick sense of humor reaches its full heights of absurdity. There's a playful surrealist sensibility to Kago's work, as well as a tendency to revel in the ridiculous, the crude and the disturbing. His work straddles a weird boundary between avant-garde experimentation and low-brow fart jokes — the punchline of one of these films is literally an oozing torrent of shit — although, admittedly, his videos seem to lean a bit more heavily towards the fart jokes than his comics. But hey, who doesn't appreciate a good fart joke once in a while?
Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely animated, Kago's sick sense of humor reaches its full heights of absurdity. There's a playful surrealist sensibility to Kago's work, as well as a tendency to revel in the ridiculous, the crude and the disturbing. His work straddles a weird boundary between avant-garde experimentation and low-brow fart jokes — the punchline of one of these films is literally an oozing torrent of shit — although, admittedly, his videos seem to lean a bit more heavily towards the fart jokes than his comics. But hey, who doesn't appreciate a good fart joke once in a while?
