Jorge Rubio Salazar

참여 작품

Tabasco Carnival Exhibition
Producer
Short documentary about the Tabasco Carnival, one of the most important in Mexico
La taquera picante
Producer
A rich man hires two detectives to find a long lost relative who will inherit a fortune. He'll try to turn her into a dilettante, but is it too late to change her?
La taquera picante
Idea
A rich man hires two detectives to find a long lost relative who will inherit a fortune. He'll try to turn her into a dilettante, but is it too late to change her?
El muerto al hoyo... y el vivo también
Producer
Wacky hijinks in a brothel. Union officials misappropriating funds, a customer dying in bed, some foxy grandpas cutting up on a visit to the big city... it's all hilarious. Or not.
Dying in the Gulf
Executive Producer
The story of the oil leader Lázaro Pizarro, of his political and personal wars, the use of crime to settle conflicts and the course of his power between the basements and the domes of Mexican politics, have a narrative record made in the Gulf of accuracy and dexterity
Win 392
A young Spanish woman who has newly moved to Berlin finds her flirtation with a local guy turn potentially deadly as their night out with his friends reveals a dangerous secret.
El día de los albañiles: Los maistros del amor
Producer
If you have even the slightest interest in latsploitation, it’s only a matter of time before you come across El Día de los Albañiles (The Day of the Bricklayers). Released in 1984, this film embodies everything that was “wrong” with Mexican cinema in the 1980s. However, the film managed to become somewhat popular and was followed by three sequels, titled more or less the same, in 1985, 1987 and 1990.
Una viuda descocada
Undertaker
The attractive, exuberant and beautiful Flor Tetis Soutien de Gambeta (Isabel Sarli), an ostentatious woman who kills men, has just been widowed for the eighth time. All her fortune was fading little by little and she now she is about to be ruined. But suddenly he sees her good luck reappear: A little canillita (newspaper seller), Pepe Mangiabróccoli (Pepe Marrone), with a good heart, who suddenly becomes a millionaire by earning the prode and falls in love with her.
La Chamuscada
Production Assistant
A sharecropper and his daughter, a swarthy beauty, flee from the hacienda on which they live and join the Mexican Revolution.
엘 토포
Production Assistant
총잡이인 엘 토포는 어린 아들과 함께 사막을 횡단하다, 산적들에 의해 온 주민이 몰살당한 마을에 당도한다. 산적 두목의 여인이었던 마라와 사랑에 빠진 엘 토포는 그녀의 요구대로 사막의 총잡이들과 차례로 승부를 벌인다. 그러나, 승부 도중 부상을 당한 엘 토포는 사막에 버려진다. 혼수상태에 빠진 그의 몸은 깊은 동굴로 옮겨지고, 오랜 시간이 지난 다음 깨어난다. 난쟁이 여인과 함께 마을에 나갔던 엘 토포는 수도승이 된 아들과 조우하고, 그들의 운명은 비극으로 치달아간다. '폭력의 피카소' 조도롭스키는 이 기괴한 서부극 형식의 전위 영화를 통해 성경, 폭력, 권위, 성 등 기존의 금지된 주제들을 충격적인 영상을 통해 다루고 있다. 신부인지 총잡이인지 알수없는 한 사람의 여정을 따라가며 진행되는 이 영화는 기존의 어떤 영화와도 유사성을 찾을 수 없다. 관객에게 던져지는 문제들은 그 폭과 깊이에서 관객의 의식을 오랫동안 자극하게 된다.