Aleksandr Samulekin

1936년 어느 긴 여름날. 스탈린의 제플린 건설 프로그램의 새로운 출발을 기념하고 있는 다차(러시아식 전원 별장). 음악가, 작가, 배우 등 특권 계층 예술가들의 별장이 모여있는 이곳에 드미트리(올렉 멘쉬코프)가 10년만에 마루샤(잉게보르가 다프쿠나이테)의 집으로 돌아온다. 만약 10년전 자취를 감춘 드미트리가 이곳에 나타나지만 않았더라도 언제나처럼 이들의 여름은 조용히 흘러갔을 것이다. 10년만에 재회한 드미트리와 마로샤. 드미트리는 자신의 음악선생 집에서 성장기를 보냈고 마로샤는 바로 선생의 딸이었던 것. 한 때는 애인이기도 했던 두 사람에게 과거의 감정이 되살아나고 어쩔 수 없는 안타까움은 침묵으로 겉돈다. 그가 사랑하던 마로샤는 이미 혁명 영웅 세르게이(니키타 미할코프)와 결혼해 나디아(나데즈다 미할코바)란 어린 딸까지 낳았기 때문이다. 세르게이는 동요하는 아내로부터 과거의 추억을 더듬기 시작한다. 그가 사랑의 한을 풀기 위해 찾아오지 않았나 생각하는 사이, 사태는 전혀 엉뚱한 방향으로 전개되어 간다. 10년간 행적이 묘연했던 드미트리는 스탈린의 비밀 경찰로 일하고 있었던 것이다. 누렇게 익은 밀밭, 그 위에 태양이 작렬하는 어느날, 세르게이는 모스크바에서 자신을 데리러 온 KGB의 차에 오른다. 나디아 만큼이나 천진한 마을 사람들의 배웅과 마루샤와 나디아의 작별의 키스를 받고 길을 떠나는 세르게이. 마을을 벗어난 길을 달리는 차안에서 그는 무참히 두들겨 맞고, 이를 목격한 트럭 운전사는 총살당한다. 이때 들판 너머 스탈린의 초상이 그려진 대형 열기구가 하늘로 떠오르고 드미트리는 그 앞에 경례를 붙인다. 아무 것도 모르는 나디아는 노래를 부르며 아름다운 들판을 뛰어논다.

The film is based on the story of Anatoly Kurchatkin "House of Women". A tragicomedy about four women of three generations who lives in a tiny Moscow apartment: a sick grandmother, constantly requiring attention; a mother, very peculiar woman, who still hoping to somehow arrange her personal life; and two daughters, each of whom has a lot of problems.

Two Soviet humans previously unknown to each other are transported to the planet Pluke in the Kin-dza-da galaxy due to a chance encounter with an alien teleportation device. They must come to grips with a language barrier and Plukian social norms (not to mention the laws of space and time) if they ever hope to return to Earth.

In visiting his ex-wife’s apartment a man learns that she plans to remarry a scientist named Valentin Shlyakhov. In his past, the man wrote a scathing letter about Shlyakhov which greatly impacted his career. Fearing that this information will come to light when his ex-wife marries Shlyakhov, the man insists that the wedding be called off. What follows is an intimate portrayal of the relationship between a man and a woman (who are never named), whose history as husband and wife plays out during a heated conversation.

A man wants to flee wartime Germany and the detested Nazis to Columbia, where his brother lives. In order to achieve his goal he agrees to become an informer for the Reich.

One of the most popular movies tells, in an ironic manner, about complicated relationships between close people. Among the film’s achievements is not only splendid acting, but also the fact that “Kinfolk” remains as contemporary and topical as before. The relations between a son-in-law and a mother-in-law are as everlasting a theme as love itself. Especially when the role of the son-in-law Stasik is brilliantly played by Yuri Bogatyryov, and that of the mother-in-law by the incomparable Nonna Mordyukova. Marusya Konovalova, a kind, simple-hearted country woman, comes to Moscow to visit her only daughter (Svetlana Kryuchkova) and tries to help “glue together” her broken-up family. Acting with best intentions, she cannot understand why her interference provokes a stormy protest… Ruscico.com

A story about a high school student Asya and her complicated relationship with literature teacher Larikov.

A story about a high school student Asya and her complicated relationship with literature teacher Larikov.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

Based on the play of the same name by Aleksandr Volodin "Five Evenings". The end of the 1950s. Aleksandr Petrovich Ilyin travels to the city where he lived before the war. Visiting the telephone operator Zoya, he sees a familiar house through the window and decides to go there for only fifteen minutes. So Aleksandr gets into a communal apartment, where the love of his youth Tamara Vasilyevna lives. They met twenty years ago and fell in love, but the war separated them. Now Ilyin and Tamara Vasilyevna met again, and love broke out with renewed vigor...

At the dilapidated country estate of Anna Petrovna Voinitseva, a group of feckless Russian aristocrats whiles away a summer afternoon. Unbeknownst to their respective spouses, local schoolteacher Platonov and the wife of Anna's stepson, Sophia, are former lovers whose meeting revives both passion and regret. Thrilled to see each other, they are nevertheless haunted by the loss of their youthful ideals.

Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the Bolsheviks get closer to Moscow. Although married, she spends time every day with Victor Pototsky, the film's cameraman. Gradually, it comes to light that Victor uses his job as a cover for filming White atrocities and Red heroism: he's a Bolshevik. He asks her for help, and she discovers meaning in her otherwise flighty and self-centred life. Love blooms. Will the Red forces arrive in time to save them from a suspicious White military leader? Will she find courage?

A first episode in the trilogy about the Russian partisan's resistance against the Nazi occupation of Russia during WWII. The film is set in August of 1941, when the Nazi forces invaded and occupied the European part of Russia. Major Mlynsky is in charge of the special group of partisans. His group is absorbing other small groups of Russian soldiers, who managed to survive from the attacks of the overwhelming Nazi forces. The Nazi Armies are advancing to Moscow. Major Mlynsky is organizing the Russian partisan's resistance against the Nazis, behind the enemy lines.

A graduate of the culinary technical school of the cook, Tosya Kislitsyna, a naive and eccentric girl, came to the village lost in the northern forests. She sticks her nose in all affairs, seeks to help everyone. She met Ilya on the day of arrival: the "first guy in the village" fell upon her indignantly, and in the evening, to brighten up an unpleasant meeting, she decided to "make happy" with an invitation to a dance and was refused. Not accustomed to refusals, Ilya argues with Filya that during the week he will fall in love with Tosya...

Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this wartime drama, the emphasis is on the heroics of both the civilians and the soldiers during times of severe stress in World War II. At the core of the action is one man in particular, whose sacrifices and heroics speak for a much larger group.