Adélia Sampaio

Adélia Sampaio

출생 : , Belo Horizonte, Minas Gerais, Brazil

약력

Adélia Sampaio is a Brazilian filmmaker, the first black woman to direct a film in Brazil, the 1984 feature Amor Maldito. Sampaio was born in 1944 in Belo Horizonte; her mother was a domestic worker. Sampaio's interest in film was encouraged by her sister Eliana, after watching Sergei Eisenstein's Ivan the Terrible (Eliana later became her producer). In 1969 went to work as a telephone operator at Difilm, a Brazilian distributor linked to Cinema Novo. Sampaio began to organize the company's film club, which projected films in 16mm. She also started to work in the production of films, in various functions, such as continuist, makeup artist, camera operator, editor and producer. Her debut as a director was in 1979, with the short film Denúncia Vazia. In 1984 she released her first feature, Amor Maldito, based on the real-life case of a trial of a lesbian woman accused of killing her partner, of which she was also a screenwriter (with José Louzeiro) and producer. Thus, she became the first black woman to direct a feature film in Brazil. In 1987 she directed the documentary Fugindo do Passado: Um Drink para Tetéia e História Banal, about the Brazilian military dictatorship. In 2018 she directed O mundo de dentro, shown at the São Paulo International Short Film Festival.

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Adélia Sampaio

참여 작품

O Mundo de Dentro
Screenplay
"O Mundo de Dentro" addresses the generation of the 1960s, especially the shock caused by the AIDS cases that started to appear in the post-dictatorship period in Brazil.
O Mundo de Dentro
Director
"O Mundo de Dentro" addresses the generation of the 1960s, especially the shock caused by the AIDS cases that started to appear in the post-dictatorship period in Brazil.
AI-5 - O Dia que Não Existiu
Art Direction
Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.
AI-5 - O Dia que Não Existiu
Writer
Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.
AI-5 - O Dia que Não Existiu
Director
Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.
Scliar: A Persistência da Paisagem
Director
Scliar, a painter of the world, immersed in the time of his silence. All that the artist sought to bring to the skin and heart of his painting is the inner vibration of every inhabitant of the world. The chromatic vibration does not come from the paints but from the land he harvests from each place he visits. Scliar used earth to give colour to his canvases.
Amor Maldito
Producer
Two young women with different social backgrounds have a lesbian relationship. The real problems begin when one of them also gets involved with a man, a journalist.
Amor Maldito
Screenstory
Two young women with different social backgrounds have a lesbian relationship. The real problems begin when one of them also gets involved with a man, a journalist.
Amor Maldito
Director
Two young women with different social backgrounds have a lesbian relationship. The real problems begin when one of them also gets involved with a man, a journalist.
Adulto Não Brinca
Writer
The tradition of working out Judas in a suburb. The doll is placed on the street like a corpse and a bunch of children are faced with the consequences of this innovation.
Adulto Não Brinca
Director
The tradition of working out Judas in a suburb. The doll is placed on the street like a corpse and a bunch of children are faced with the consequences of this innovation.
Ele, Ela, Quem?
Associate Producer
Ele, Ela, Quem?
Production Director
Denúncia Vazia
Writer
An elderly couple decides to commit suicide after receive a eviction order. The first short-film of Adélia Sampaio, the first black woman in Brazil to direct a feature film.
Denúncia Vazia
Director
An elderly couple decides to commit suicide after receive a eviction order. The first short-film of Adélia Sampaio, the first black woman in Brazil to direct a feature film.
Parceiros da Aventura
Producer
O Seminarista
Production Manager
O Monstro de Santa Tereza
Production Director
O Segredo da Rosa
Screenplay
Friends Severina and Maria José struggle to survive in a suburb of Rio de Janeiro. The first is a widow who sells flowers and the second has a lover who does little to help with expenses. Their children sell peanuts during the day. One day, the children get lost and are found again at Jaks' house, who offers to sell Severina certain suspicious merchandise, disguised among the roses.
O Segredo da Rosa
Production Director
Friends Severina and Maria José struggle to survive in a suburb of Rio de Janeiro. The first is a widow who sells flowers and the second has a lover who does little to help with expenses. Their children sell peanuts during the day. One day, the children get lost and are found again at Jaks' house, who offers to sell Severina certain suspicious merchandise, disguised among the roses.