Maria Camargo

참여 작품

River of Desire
Screenplay
When he meets Anaíra, a beautiful woman who breathes life into his whole being, Captain Dalberto leaves his job as a police officer and buys a boat. The newly married couple moves in with Dalberto’s brothers, but the captain leaves for a trip to Iquitos, Peru. At home, Dalmo, the older brother, tries to control the passion he feels for his brother’s wife. Anaíra, feeling abandoned, approaches Armando, the younger brother, and they have an affair. Dalberto’s return puts all three men, now completely in love with the same woman, under the same roof.
헥터 바벤코: 내가 죽으면
Writer
헥터 바벤코는 아르헨티나 출신이지만 브라질에서 주로 활동한 감독으로, 지난 2016년 사망했다. 이 다큐멘터리는 죽음을 직감한 바벤코가 아내이자 영화적 동반자인 바르바라 파스에게 연출을 부탁해 만든 것으로, 그의 모든 것을 담고 있다. 암 투병을 하면서 맞이했던 마지막 날들의 고통스러운 기록이 뼈대를 이루고, 그가 만든 영화에 관한 회고, 그와 함께했던 동지들에 대한 기억, 그리고 죽음에 대한 생각 등이 어우러진다. 이 영화는 한 감독의 일대기이자 한 인간의 상념을 기록한 유언장이며, 자신의 죽음에 관한 영화를 기획한 제작자의 마지막 걸작이다.
Nise: The Heart of Madness
Screenplay
After being released from prison, Dr. Nise da Silveira is back at work in a psychiatric hospital on the outskirts of Rio de Janeiro where she refuses to employ the new and violent electroshock in the treatment of schizophrenics. Ridiculed by doctors, she is forced to take on the abandoned Sector for Occupational Therapy, where she would start a revolution through paintings, animals and love.
O Diário de Tati
Co-Writer
Tati is a typical teenager, unable to learn mathematics, but very intelligent when creating plans to escape the punishment of the mother. During the summer, she needs to hide that she has to do math classes to improve her grades, conquer Zeca, the most popular boy in school and also care for the heartache of her mother, who wants to try to find a new love.
If My Father Were Made of Stone
Director
The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.