Juan Subatella

참여 작품

쾌찬차
Moby's Friend in Restaurant (uncredited)
데이비드(원표 분)와 토마스(성룡 분)은 이동차 간이 식당(쾌찬차)을 운영하며 스페인에서 살아간다. 그러던 어느 날 두 사람은 공주처럼 우아하고 아름다운 실비아를 만나 첫눈에 반한다. 그러나 실비아가 창녀에다 소매치기라는 사실을 알고 충격을 받는다. 한편, 홍금보는 사립 탐정 사무실에서 일하다가 실비아를 찾아 달라는 고객으로부터 거금을 받아 행동을 개시하는데 정체를 알 수 없는 사나이들도 실비아를 납치하려 한다. 홍금보는 데이비드와 토마스에게 도움을 청하게 되고 오래 전에 헤어진 실비아의 아버지가 막대한 유산을 남겼다는 사실을 알게 된다. 실비아의 삼촌은 유산을 가로채기 위해 음모를 꾸미러 홍금보 등은 그의 하수인들과 맞서 싸워 승리를 거둔다. 실비아는 졸지에 귀족으로 변신하지만 다시 옛 친구를 찾아간다.
Victòria! 3: El seny i la rauxa
Los locos, locos carrozas
Sacerdote
Victòria! 2: La disbauxa del 17
Victòria! La gran aventura d'un poble
In the middle of the first world war, Barcelona is the center of multiple operations related to war, although Spain is a neutral country.
La desnuda chica del relax
Hombre del lavabo (uncredited)
Óscar, Kina y el láser
Pasajero
Ascensor
Priest
Street Warriors
Mariano
Perros Callejeros is based on the juvenile delinquency of the 1970s and 80s in Spain. The story is set in Barrio de la Mina in Barcelona one of the most conflict neighbourhoods in Spain. The characters chosen were real juvenile delinquents all with criminal records, which the director used to give the film a realistic touch. This film is very powerful and dramatic, it shows how these kids were brought up to survive on the streets.
The Andalusian Widow
Lozana, a young, beautiful and clever woman decides to move to the city after a tragic love story. There, she meets Rampin, a naughty rascal who soon finds out that her wit surpasses his own by a handful. When he falls in love with her, he can't help suffering as he sees how she plays not only with him, but with all of her lovers as well.
The Burned City
The film depicts ten years of Catalan history, from 1899 with the defeat of the Spanish side in the Cuban War of Independence to the Tragic Week 1909.
Las largas vacaciones del 36
Tonet
Set near Barcelona at the time of the outbreak of the Spanish Civil War in 1936, this epic drama explores the adventures suffered by an uncommitted vacationing family caught unawares by the conflict. In focusing on the war's effects on the family, this film was able to offer much more devastating commentary than would normally have been permitted in the late Franco era.