Elle-Máijá Tailfeathers

Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.

In writer-director Sophie Jarvis’ compelling debut, set in the seemingly peaceful Okanagan, a distraught cannery worker discovers an invasive insect that could threaten the livelihood of her entire town.

서기 2043년, 새로운 전쟁을 일으켜 대제국을 세우려는 국가 에머슨. 인간병기를 양성하기 위해 모든 아이들을 납치하고, 외딴 숲에서 칩거하던 ‘니스카’도 결국 사랑하는 딸을 빼앗긴다. 10개월 후, 예기치 못한 비밀이 하나둘 드러나고, 희망을 잃은 채 살아가던 ‘니스카’는 딸을 되찾고자 국가의 중심부를 습격하기로 결심하는데…

After the tragic death of her daughter Lily, Hannah searches for ways to reconnect and process her grief through increasingly daring and innovative artistic expression. Hannah becomes obsessed with death, children and duality, to the point at which sudden appearances of Lily’s ghost and Hannah’s own doubles begin to manifest - possibly from her imagination or perhaps from the fringes of reality. Diving deep into her art, using unprecedented photographic techniques, Hannah teeters on the edge of madness as she struggles to come to terms with her loss. Inspired by the life of photographer Hannah Maynard (1834-1918).

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

미그마크 부족이 거주하는 보호구역 바깥에 좀비가 창궐한다. 보안관인 트 레일러는 백인 좀비들로부터 임신한 아들의 여자친구와 보호구역으로 끊임 없이 밀려오는 난민까지 지켜내야 한다.

캐슬린 헵번, 엘르 마이아 태일페더스 각본 및 연출. 원주민 로지가 격렬한 가정 폭력에서 도망치자 매우 다른 배경을 가진 두 원주민 여성의 세상이 충돌한다. 영화는 긴급하고 끔찍한 탈출로 시작하지만 모성의 복잡성과 지속적인 식민주의의 잔재를 탐색하면서 짧은 시간에 연약한 유대관계를 형성하는 여성들로 인해 확장된다.

캐슬린 헵번, 엘르 마이아 태일페더스 각본 및 연출. 원주민 로지가 격렬한 가정 폭력에서 도망치자 매우 다른 배경을 가진 두 원주민 여성의 세상이 충돌한다. 영화는 긴급하고 끔찍한 탈출로 시작하지만 모성의 복잡성과 지속적인 식민주의의 잔재를 탐색하면서 짧은 시간에 연약한 유대관계를 형성하는 여성들로 인해 확장된다.

캐슬린 헵번, 엘르 마이아 태일페더스 각본 및 연출. 원주민 로지가 격렬한 가정 폭력에서 도망치자 매우 다른 배경을 가진 두 원주민 여성의 세상이 충돌한다. 영화는 긴급하고 끔찍한 탈출로 시작하지만 모성의 복잡성과 지속적인 식민주의의 잔재를 탐색하면서 짧은 시간에 연약한 유대관계를 형성하는 여성들로 인해 확장된다.

People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.

People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.

People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.

People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.

This ultra-short film proves that walls are real and borders are imaginary with an animated critique of long-term detention for minors in immigration centres.

Based on a true story, a powerful study of the dysfunction and disorder in the police and criminal justice systems that allowed a wily psychopath to murder nearly 50 marginalised women from Vancouver's Downtown Eastside.

When a Western movie star is forced to spend a PR weekend at a dude ranch, his fans are horrified to learn he's actually a city slicker who's afraid of horses and has never been west of the Hudson River.

Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.

Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.

Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.

Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.

Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.

Abandoned cars rest silently in fields for decades, still holding secret conversations within their bodies.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

신데렐라 이야기를 기초로 한 뮤지컬 영화로 2004년에 만들어진 의 속편이다.