Marte Vold

Marte Vold

프로필 사진

Marte Vold

참여 작품

Foragers
Cinematography
Foragers interweaves documentary and fiction to report on a searing conflict between the Israel Nature and Parks Authority and Palestinian foragers. Through an elaborate and elegant composition, the film successfully captures the inherited love, resilience and knowledge of these traditions, over an eminently political backdrop.
HIM
Director of Photography
HIM consists of three separate stories in one film. Harald (11) is a boy who constantly falls outside the group. He is not recognized either by friends, school or parents. Emil (30) is unemployed, he is angry and looks down on everyone else. Petter (60) is a Norwegian renowned scriptwriter who wants to make a film about the national hero Fridtjof Nansen. Two men and one boy, one day in Oslo, whom all experiences a social and emotional fall. The film discusses the male role in the contemporary Norway.
One or Two Lies
Director of Photography
A father calls his son after years of silence, in an attempt to reconcile, before it is too late.
The Tent
Cinematography
A shocking secret is forced to the surface as a dysfunctional family are struggling to put up a tent.
Wild Relatives
Cinematography
The film follows the matrix of hierarchies and relationships involved in a transaction of seeds between the Norwegian town of Longyearbyen in Svalbard, an island in the Arctic Ocean, and the Bekaa Valley in Lebanon.
레터스
Herself
성별도 국적도 다른 동갑내기 마르테와 재호, 둘은 각자의 일상을 편지로 나눈다. 오랜 외국 생활 끝에 귀국한 재호는 가족들의 일상을 기록한다. 마르테 역시 노르웨이에서 가족의 생활을 담는다. 그러면서 둘은 자연스럽게 어머니에 대한 기억과 추억을 공유한다.
레터스
Director
성별도 국적도 다른 동갑내기 마르테와 재호, 둘은 각자의 일상을 편지로 나눈다. 오랜 외국 생활 끝에 귀국한 재호는 가족들의 일상을 기록한다. 마르테 역시 노르웨이에서 가족의 생활을 담는다. 그러면서 둘은 자연스럽게 어머니에 대한 기억과 추억을 공유한다.
Totem
Director
Through five mundane scenes from the life of a thirtysomething hipster couple in the suburbs of Oslo, Totem explores the vulnerabilities and relentless discomforts of togetherness.
Bunker
Cinematography
Monika tries to revive the close relationship with her childhood friend Irene. A day-trip to an old German bunker reveals that the offenses of the past have not faded, and that the struggle for power between friends is not something of the past.
본능적으로
Co-Director
노르웨이의 작은 마을에 살고 있는 한 30대 가장이 삶의 모든 것으로부터 벗어나 숲으로 도망친다. 남편으로서, 아빠로서, 아들로서 살아가는 우리네 가장들에 대한 유쾌하고 애정 어린 시선이 담긴 영화. (2015년 제16회 전주국제영화제)
The Goodness Regime
Additional Camera
Shot in Norway and Palestine, The Goodness Regime investigates the foundations of the ideology and the representation of a country adopting the most corporate gimmicks to brand itself as a peace-making nation. Deconstructing the arcanes of the Oslo Accords and unveiling the process of a national myth construction, the film looks at the political stages, the roles and the scenes through the very empirical spectrum of theatre, combining children's performances with archive sound recordings from diplomatic speeches.
Levi's horse
Director of Photography
14 year old Jonas lives in a small rural place and has few friends. In quest for acceptance Joans is faced with a difficult choice. A boy's gang wants him to harass the little pony belonging to the village's mental retarded man, Levi.
And the Going Is Good
Cinematography
A film about pride, power and stopping while the going is good, told in three chapters of everyday stories.
The beginning of no night
Cinematography
Two teenagers are on their way to their secret hiding spot, a bunker from World War II. The tension in the relationship between the two youths is increasing as they stumble across an old rifle.