Dennis Sawyer

This short animated film is about Wop May, one of Canada's leading bush pilots in the 1920s.

Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.

This short film was created by a group of Indigenous filmmakers at the NFB in 1972 and is essentially a song by Willie Dunn sung by Bob Charlie and illustrated by John Fadden: "Who were the ones who bid you welcome and took you by the hand, inviting you here by our campfires, as brothers we might stand?" The song expresses bitter memories of the past, of trust repaid by treachery, and of friendship debased by exploitation upon the arrival of European colonists.

A compilation of satirical anti-smoking clips.

The magic island of Fogo, seen from the eyes of the kids and the reason why its inhabitants will never leave it.

By using film as a catalyst for change, the people of Fogo Island, Newfoundland, voice some of their daily concerns. This film shows how one of the Islanders built a longliner (a fishing boat using long lines) with the help of his friends, overcoming the problems of financing and the lack of tools and government support.

This short documentary features Newfoundland fisherman Billy Crane, who speaks frankly on the state of the inshore fishery and how the lack of government support has contributed to the industry’s downfall. He is being forced to leave home to seek employment in Toronto. This film was made with the Challenge for Change program.

Two women discuss the roles and problems of women, education, and shopping on Fogo Island.

In this short film, we witness two Fogo Island festivities: a Roman Catholic wedding in Joe Batts Arm South and a party with music and dancing in Joe Batts Arm North.

A rollicking Newfoundland party on Fogo Island.

A film record, suitable for schools, of the war years of 1939 to 1945, showing major developments from the rise of Nazism in Germany to the first atomic bomb at Hiroshima. It does not minimize the brutality of war, but shows how this "total war," unlike wars of the past that engaged only the men of the fighting front, involved in varying degree almost every individual of every nation.

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

This short documentary profiles the uniquely cloistered wildlife of Sable Island, known as the “Atlantic graveyard” due to its inhospitable conditions. Barren sands and endless gales proved too much for human settlement on this island off the coast of Nova Scotia. Only a small group of researchers and maintenance people occupy the island; horses run wild, seals and birds multiply profusely, and the Ipswich sparrow has found a fruitful breeding ground for itself. Sable Island provides a perfect opportunity to observe nature in an untouched, organic laboratory.

A discussion of the problems and efficacy of a fishermen's cooperative.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns. In this film, some of the problems discussed are the lack of fish and the inability to market any species but cod.

Joe Kinsella talks about the problem of young people leaving Fogo Island after they finish their education.

Through the use of film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns. This film looks at the success of the longliner and the problems encountered in obtaining and running it.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns and thoughts about the future. Some of the problems discussed are the fishermen's unions, the fish plant, able-bodied men on welfare, the problems of education, and the issue of the consolidation of schools.

The story of how one Fogo Island family managed to raise an old passenger boat from where it had been sitting for four years, and to renovate it for use as a fishing boat, despite lack of capital and government aid.

A discussion on the methods of fishing, marketing, organization and welfare in Norway, with reference to the situation on Fogo Island.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their concerns. This film discusses efforts to obtain provincial support for the United Maritimes Fisheries Co-op to run the Seldom fish plant, and comments on the subsequent decision by the Newfoundland government in favour of the Yellow Fish Company.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns. In this film, Islander Chris Cobb sings his own songs and recites his poems about the old days and the recent changes on Fogo.

Ex-fisherman Billy Crane in Brampton, Ontario, at an industrial job with regular hours. Here he tells why he left Fogo Island and says he has no regrets. (See also Billy Crane Moves Away.)

The Mercer family discusses the pressures that force the young people to leave Fogo Island and their families.

This film is a reconstruction of Robert Baldwin’s involvement in the Upper Canada Rebellion of 1837. Though bound to the cause of constitutional reform by principle, Baldwin’s heart was with the rebels and in the midst of armed revolt, he withdrew to fight a lonely battle with himself.