Naoaki Shibuta

약력

Born in Japan in 1985. He holds a doctorate in animation film from the school of visual studies of the Tokyo State University of Fine Arts. He currently works as a commercial animation filmmaker and recorder. What fascinates him most are the empty spaces, the metamorphosis and the visual illusion, well summarized in the checkerboard drawings, with which he makes animated films, a line of research that he intends to continue in the years to come.

참여 작품

쏘아올린 불꽃, 밑에서 볼까? 옆에서 볼까?
Key Animation
불꽃축제를 앞둔 어느 바닷가 마을 아이들은 ‘불꽃은 옆에서 보면 둥글까? 납작할까?’라는 것에 대한 이야기로 떠들썩하지만 갑작스런 전학을 앞둔 나즈나는 마음이 복잡하다. 우리 사랑의 도피를 떠나자. 노리미치에게 둘이서 마을을 떠날 것을 제안하는 나즈나. 하지만 어머니에게 발각된 나즈나는 집으로 끌려 들어가고 남겨진 노리미치는 나즈나가 간직하고 있던 구슬을 던져본다. 만약, 그때 내가… 나즈나와의 즐거웠던 순간으로 되돌아간 노리미치. 처음으로 나즈나와 단둘이 함께하기 위해, 마지막으로 나즈나에게 진심을 고백하기 위해 반복되는 하루를 몇 번이고 다시 겪게 되는데… 다시 불꽃이 터지면, 첫사랑도 이루어질까?
Better back then
Animation
A girl is kept on the [move] by a witch and continues to peel potatoes. She is fed up and tries to escape in vain. She gets desperate and decides to beat the witch. . . what will she find? What is her intention? Can we undo what has been done?
Better back then
Director
A girl is kept on the [move] by a witch and continues to peel potatoes. She is fed up and tries to escape in vain. She gets desperate and decides to beat the witch. . . what will she find? What is her intention? Can we undo what has been done?
come back to my mind
Director
The protagonist is with friends but bored with the conversation. His mind often slips away to his own imaginary world and comes back to them. . .