Jocelyn Robert

Noémie, an experienced screenwriter, meets up with Vincent, her first childhood love, at the film school where he is now the director. Through an extraordinary masterclass where intimacy rubs shoulders with the universal and reality flirts with fiction, Noémie will teach Vincent and his students that the art of writing a screenplay is the art of living passionately.

소설가 스테판 벨코트는 수년 만에 돌아간 고향에서 첫사랑 토마스의 아들 루카스를 만난다. 스페판은 오래전 기억 속에 묻어두었던 사랑의 기억을 떠올린다.

Arnaud, a student remaining alone in Paris during the summer, is obsessed with the wall where the names of the Parisian soldiers who died in the 1914 war are engraved. He finds himself confronted by one of these soldiers, who invites him to step out of time and to bring comfort to his loved ones.

Silvia, a single mother and a lawyer, is implicated in a corruption scandal. But in addition to trouble at work, she is also facing a more crippling problem: her mother’s cancer has returned. While she is forced to face up to her mother’s inconceivable yet inescapable death, Silvia embarks on a love story, her first in many years.

피에르의 인생에 수수께끼같은 줄리엣 웹이 들어온다.

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

They gave in. Or capitulated. They didn't want to have sex. They couldn't push back, to make them understand that no, they didn't want to. Some consider it part of the unpleasant yet inevitable experiences of youth. Others don't. For the first time, a film addresses this "gray" area of sexuality without consent.

Antonia is a lyrical singer whose beauty is uncommon, lush and somber. Recovering from a suicide attempt in a rehabilitation institution, all her family ties are irreparably broken. But her sister remains deeply affected by what happened.

Neither a fiction nor a documentary, it is a film-dance. Not a narrative, but a journey through the Villeneuve area of Grenoble. No characters, but energies, encounters. The body of a dancer in the city. An essay of re-enchantment.

Shot on super 8, the film appears like a journey, a dream along the Narmada river in India, between myths of Progress and myths of the river. "Dams are the temples of modern India", claimed Nehru after the country's independance. Soon, one of the largest complex of dams ever conceived will be completed on the Narmada. A social struggle is getting organized. We travel on the river until the ocean, on our way to meet inhabitants, beliefs, and convictions that cohabit and are brought into conflict as this valley undergoes major transformations.

Samuel comes back to his hometown for a business trip, having not return since leaving for college, almost thirty years ago. On his way to an important meeting, he gets knocked over by a car, driven by a young man. It seems like a harmless accident and Samuel decides to take some rest in a park. Memories from his youth come rushing back as the night falls and the consequences of the accident slowly emerge.

A drug smuggler is betrayed by his partner and is then forced to seek help from Russian mobsters.