Nadia Bianchi

참여 작품

가방을 든 여인
Nuccia
한 부잣집 남자가 가난한 여인 아이다를 두고 떠나 버린다. 남자를 만나야만 하는 아이다는 가방을 손에 든 채 끈질기게 남자를 찾아나선다. 그리고 마침내 남자의 집에 도착하지만 그녀를 맞이하는 건 남자의 동생인 16살 소년 로렌조다. 동정심으로 아이다를 돕던 로렌조는 곧 그녀에게 사랑을 느끼고 만다. 1961년 칸영화제 경쟁부문 상영작. (2016 한국시네마테크협의회 - 탄생 100주년: 조르조 바사니와 영화)
Totò, Peppino e le fanatiche
Marietta
A psychiatric-clinic medical director runs some tests on two patients, the Ragionier Antonio Vignanelli and Cavalier Peppino Caprioli, so they must retrieve some memories of family life in order to understand their mental illness.
La zia d'America va a sciare
Rosemary
Tecla Cammarano, following a financial crisis that has made her situation precarious, leaves America and comes to Italy with her two lovely grandchildren.
Mi permette babbo!
While Rodolfo tries to become a lyric singer, his lifestyle deeply annoys his father-in-law.
Wild Love
Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.
Un palco all'opera
Linda
A pianist recounts the love stories of three famous composers.