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Peter Burr

Peter Burr

출생 : 1980-08-03,

약력

Peter Burr (US) is an artist from Brooklyn NY. A master of computer animation with a gift for creating images and environments that hover on the boundary between abstraction and figuration, Burr has in recent years devoted himself to exploring the concept of an endlessly mutating labyrinth. His practice often engages with tools of the video game industry in the form of immersive cinematic artworks. These pieces have been presented internationally by various institutions including Documenta 14, Athens; MoMA PS1, New York and The Barbican Centre, London. Previously Burr worked under the alias Hooliganship and founded the video label Cartune Xprez through which he produced hundreds of live multimedia exhibitions and touring programs showcasing a multi-generational group of artists at the forefront of experimental animation. His practice has been recognized through grants and awards including a Guggenheim Fellowship, a Creative Capital Grant and a Sundance New Frontier Fellowship.

프로필 사진

Peter Burr

참여 작품

Animation

A complex assault of optical illusions, highlighting limitations of the viewers’ own body and mind. What emerges is a portrait of an anxious divided society testing the boundaries of physical awareness.

Director

A complex assault of optical illusions, highlighting limitations of the viewers’ own body and mind. What emerges is a portrait of an anxious divided society testing the boundaries of physical awareness.

Director

Drop City is a portrait of a computer desktop community. It takes its name from the first rural hippy commune in America, a settlement in southern Colorado that formed in 1965 constructed of discarded junk, salvaged car tops, and other detritus fashioned into inventive living structures. A decade later Drop City was completely abandoned. Nothing is left of it today.

Network Reconstruction Of Nematode Symbionts

Network Reconstruction Of Nematode Symbionts

Director

"Some parasitic nematodes have an endosymbiosic relationship with the bacteria Wolbachia. Here, we reconstruct this symbiotic relationship and break it down, finding ourselves at the model's writhing core."

Pattern Language

Pattern Language

Director

Pattern Language describes the aliveness of certain human ambitions through an index of structural patterns.

Director

A journey to the threshold of a utopian labyrinth. We follow the perspective of a solitary woman who descends into an abandoned subterranean arcology. She is tasked with cleaning up the mess that has spawned from this feral structure, becoming lost in the process.

Director

Here, between the pixels - a pregnant pause of failure in the lub and dub of one's own heart.

Director

Channeling Tarkovsky’s Stalker, this film’s fractured and spiralling narrative is traversed through a hypnotising blend of live action and various digital animation styles.

Director

Burr conjures a shape-shifting world where the sidewalks are endless, the radio is playing electric, and the night sky is broken open by a cataclysm of shuddering stars.

Alone with the Moon

Alone with the Moon

Writer

Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.

Alone with the Moon

Alone with the Moon

Production Design

Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.

Alone with the Moon

Alone with the Moon

Editor

Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.

Alone with the Moon

Alone with the Moon

Producer

Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.

Alone with the Moon

Alone with the Moon

Director

Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.