Karissa Hahn
출생 : 1992-01-01,
약력
Karissa Hahn is a visual artist based in Los Angeles. She mainly works with film and video installations. Her work has been exhibited and screened worldwide in cinemas, galleries, and institutions. She received her BFA in Film & Video at California Institute of the Arts. Hahn currently works as a colorist at a film lab.
Director
…..the moment the shadow swells is the moment the image is realized….
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2021, super 8 to 16mm, black & white, silent, 03:00, double projection
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one roll super 8, in camera cross dissolves
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one roll super 8, in camera cross dissolves
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2021, super 8 to digital, black & white, sound, 02:10
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one roll super 8, in camera cross dissolves
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one roll super 8, in camera cross dissolves / edit
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one roll of expired super 8, in camera cross dissolves
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everything is becoming image / all is trapped and glitching / you are late for zoom again / your boss your teacher your lover is waiting
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and just as the swelter plateaus toward a vertical horizon the curtain falls flat in motion a hinge unlatches from sill and a slab of paint is finally relieved, alighting —the window continues to open
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$16.00 Manager's Special
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The image happened, no?
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short film by Karissa Hahn
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1.30, SD, silent, 2020
collaboration with Paul Hahn
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A recital: Things said to me while working for a cat-sitting company in Beverly Hills
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And suddenly the last time in a home.
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short film by Karissa Hahn
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short film by Karissa Hahn
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super 8 images to accompany a collection of prose
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Reminiscent of the work of Japanese mastermind Takashi Ito, Karissa Hahn's Please step out of the frame. uses Super 8, a desk, and a laptop to create a playful choreography of body and screen.
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collaboration with Christina Nguyen
Thanks
Uncut 16mm with in-camera quadruple exposure - a print will be made for Analog exhibition as well as digital.
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The year 2021 – experience the duration of 1 year in 24 frames for 24 hours of the day – 365 strips of film inkjet printed with the precise amount of light per day, including accurate twilight times.
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super 8, black and white, sound, 03:30
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Digital8 video
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experiments in photogrammetry super 8
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short film by Karissa Hahn
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becoming cataract a hot steam mingles and churns cool fog / swelling gray film frames - the burning and fade
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Staged for 'Take 3' to be the shot, the 'perfect shot.' The rest are bloopers, this film is called 'BLOOPERS' a staged shoot for the perfect shot without consideration of chance. One roll of super 8 film, duration of 8 takes, 3 actions, 8 shots made. How can we edit a pre-planned shoot in which one shot is planned to make it?
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youtube > super 8 > 16mm > optical printer
the Ohio State University performs their 'Hollywood Blockbuster' halftime show.
an investigation of synchronization….all under its own ‘orchestration’ in form.
….with this process there are many chances for their march to ‘fall out of line’ as the film strips dance together, overlap, become separated and ultimately create their own intermission....
a piece of my cinematic tension series, one leaning toward release making a pot of tea, listening to the radio,
a sculpture of pose, a gesture incomplete
- no relief
a tea kettle boiling to silence is a petrified thought
air mattresses are the worst to fold up
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a piece of my cinematic tension series, one leaning toward release making a pot of tea, listening to the radio,
a sculpture of pose, a gesture incomplete
- no relief
a tea kettle boiling to silence is a petrified thought
air mattresses are the worst to fold up
Snow
A VHS rendition of what happens when we die - an investigation into death induced dream ephemera or; a body (mind) dissolves into video signal memories.
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2017, thermochromic ink on 16mm film
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digital8>mac reverb
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An old Regal Cinemas pre-show animation is further degraded as it’s run through a ringer of format transfers, each layer representing a different viewing space.
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An old Regal Cinemas pre-show animation is further degraded as it’s run through a ringer of format transfers, each layer representing a different viewing space.
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5 palm trees get trimmed in 50 minutes
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short film by Karissa Hahn
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short film by Karissa Hahn
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short film by Karissa Hahn
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Short film by Karissa Hahn
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short film by Karissa Hahn
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Short film by Karissa Hahn
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A video is a stream of information, and this moving image relies upon the relationship of static frames, which are algorithmically determined. In the language of video compression, the (I) frames are the reference points between which movement is interpolated. Manual deletion or misplacement of (I) frames results in a video glitch known as a datamosh: the stream of nformation d srupted, d sorgan zed … nterupeted … lost … the ( ) frame removed, rejected … BUT, reclaimed, the (I) frames, the burning bolts of the machine, are at once reasserted in this dance macabre ... (I) FRAME is a mechanical ballet set to the original tempo that characterizes motion on screen at 24 "(I) frames" a second...
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short film by Karissa Hahn
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short film by Karissa Hahn
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traversing screen
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mounted a super 8 camera on a selfie stick and it collapsed, it bent right in half. The ‘weight’ of it.. the ‘wait’ing time of the film…. the (turn-around) time, whilst turning around the camera… the selfie. one roll of super 8 film
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A cinegel swatchbook is scanned onto clear leader using an HP-Deskjet household printer. A rhythmic exploration of pure color traveling through a digital space. Color information; translated.
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short film by Karissa Hahn
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one roll of super 8
OH, canted angle….
a ‘collaboration’ or rather, a collusion of sorts…. as for my volition….I fall, you falter….
thinking about “A Young Girl Defending Herself against Eros” by William Adolphe Bouguereau 1880
thinking about….suspense/tension, taking us down with me….
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My nail polish is chipping off -
and I'm scared that my nails - and then fingers, will start chipping off too....
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effloresce in grain, in shot
dreamt lemons as props,
the villains -
- coy with conviction.
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short film by Karissa Hahn
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A film printed directly onto 16mm clear leader.
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commissioned by an online gallery space founded by Harrison James > SEARCH, CLICK (as Lady Shalott did) < --- she viewed the world through (mirrors) (filters) // we view through reflection of the screen; filter of information tubes --- Concerning the matters of: Roland Barthe's: 'A Lover's Discourse' John William Waterhouse's: 'The Lady of Shalott' (I Am Half-Sick of Shadows
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A busted projector on an otherwise gorgeous day. Shot on 16mm.
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EFFIGY IN EMULSION is a study in exposure change to uncover/un-develop a stolen memory. The concept is conceived in the musing: who took the photograph that washed out a frame of this film? A hybridization of mediums and tools (8mm, 16mm, optical printer) are used to investigate the camera flash that washed out a frame in the hopes of uncovering a hidden emotion. A meditation on equipoise is addressed in the guided evolvement and retraction of light on the optical printer.
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EMULSION ELECTRONS IMBUED is part of a collection of films revolving around previously recorded cassette tapes. This film is the first in the series and originally shot on 16mm.
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Karissa Hahn's 16mm SIMMER is a forced landscape which is soon realized familiar. SIMMER was originally used in a live-projection in which it was burned. The subject no longer exists as well.
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commissioned by "GirlTrip", an online gallery space founded by Harrison James. "CROSSING-FRAME"
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One roll of Super 8 film with a painted UV filter and a piece of a broken beer bottle found while filming. Shot while on a class hike in Gorman, CA
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VHS lines, deep sea mystery noise
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short film by Karissa Hahn
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flowers bloom like unknown creatures before the helmet of astronauts, astronauts, astro-nots; for fiction of the views are tangled in the knowns of this planet
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A play between the internal and external, an investigation between the printer and the optical effects of projection. One strip of super-8 film is reconstructed, taped onto 16mm and then re-photographed on the optical printer. The effluence, according to its new emulsion, becoming a reflection of its action.
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A roll of film shot in an attic, to avoid filming what had been planned, existing as a moment of chaotic relief.
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A super-8 film shot on the east coast is brought west, bleached and splattered with paint. Remnants of home remain as frames and stills.
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REVERIES is a film largely inspired the teachings of Charlotte Pryce. A multi-projected piece concerning the theories of visual perception in relation to film movement, rhythm and performance.
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SAYRE'S VAPOR is derived from the mind of Zelda Fitzgerald and her sentiment of being "spun glass." A scene that has been extracted from REVERIES and given its own space to breathe.
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Metal metamorphosing to a surveying macro lens- bending reflections of the mundane. Reflections only made on the surface of objects - transposing into new forms.
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One roll of 16mm - in camera edits - sound collaboration with Kyle Hamon
Production Assistant
In a combination of documentary and fictionalised reconstruction, a multi-faceted analysis of contemporary art education and the particular impact of Michael Asher’s ‘post-studio class’ at the California Institute of the Arts in the 1970s.
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A musing is addressed to a glorious phantom-like entity.
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A structuralist documentation of young music producers. The act of sitting down to 'start up' their macbooks.
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Inspired by John William Waterhouses' portrait, "A Mermaid." (1901) Portrayal of this immobile creature idealized with images of femininity. A reenactment of Waterhouses's fictional musings while setting up the framing for his portrait.
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a mockumentary.
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traversing screen
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....for further details please refer to your copy of the 'In-Flight Entertainment Guide' found in the seat pocket in front of you, thank you.
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made with video synths
