Junichi Segawa

2,000만 명. 해마다 스페인의 항구 도시 바르셀로나를 찾는 관광객 수다. 도시 인구 300만 명보다 훨씬 많은 관광객을 끌어들이는 요인은 안토니오 가우디(Antonio Gaudi). 1883년부터 짓기 시작해 124년이 넘도록 공사가 진행 중인 사그라다 파밀리아(Sagrada Família)에서 가로등까지 가우디가 설계한 작품이 즐비하다. 도시 전체가 '가우디의 건축 백화점'으로 불릴 정도다.

Iwate Prefecture, Ohasamacho. In the foothills of Mt. Hayachine, the kagura (devotional dance) offered to the mountain goddess by the mountain priests is still performed today nearly unchanged from mediaeval times. This dance, which has been handed down along several lines of succession in the villages of Take and Otsugunai, has its origins in prayer. Take's kagura and Otsugunai's kagura are said to be closely related. The film shows the people who lovingly continue to perform these two types of dance and the transition from ancient tradition to modern life. Even from the first moment that director Haneda was charmed by Hayachine's kagura, the mountain villages that were home to the gods had already begun to disappear.

After a handful of groundbreaking films detailing the tragedy and suffering of the mercury-poisoned Japanese town of Minamata, documentary master Noriaki Tsuchimoto revisits the subject of Minamata through the eyes of the celebrated husband-and-wife painting duo Iri and Toshi Maruki. Tsuchimoto follows the Marukis from their quaint homestead studio, where they paint slews of ghastly, psychotropic mural panels depicting the effects of Minamata disease, to the streets of Minamata, where they meet and paint portraits of several victims of mercury poisoning.

Since Minamata: The Victims and Their World (1971), director Tsuchimoto Noriaki has made numerous works depicting people living in Minamata. This work for children is a visual fantasy poetically depicting the moon that governs the ocean’s tides, the fishermen and the various fish living there.

Set in the time of steam locomotives and covering a period of almost 30 years, this sensitive film tells the story of the wife of a railroad worker in the northern part of Japan. The ferocious local class restrictions work to keep her husband in his place, as does his lack of education.

The poignant focal point for this film is a cherry tree that is over 1400 years old. Beginning with the tree, the director then explores the families and environment around the tree. The editing and music contribute to the sense of a haunting past contained within the solid structure of an ancient natural wonder.

A Day in TOKYO in 1968, Nostalgic bygone era. Planned by Japan National Tourism Organization. Produced by Koga Production. This film was produced to explain Tokyo for foreign tourists.

Documentary on Chua Swee­-Lin, a Malaysian exchange student who was threatened with deportation over his protest against the separation and inde­pendence of Singapore.

A sensitive young woman aged 22 fell in love with a middle aged man who was troubled by his unfaithful wife.

A documentary about the life and art of wood-block artist Katsushika Hokusai.

In a village subsisting on it herring fishery, a one-eyed criminal named Jakoman terrorizes the inhabitants. One of them, the son of the head of one of the fish companies by the name of Tetsu, decides to overthrow Jakoman and his cohorts.

Three bank robbers, Eijima, Nojiri, and Takasugi, flee the police and escape into the mountains. At an inn high in the Japanese Alps, Eijima and Nojiri encounter a young woman and her father, as well as Honda, a mountaineer. The inn folk do not realize their guests are wanted criminals and the visitors are treated with great kindness. Honda volunteers to lead them over the mountains, but Eijima's paranoia endangers all of them as they make the perilous trip.