Luciana Piantanida

In shades of gray, the calm, static shots show young female visitors to a public hospital in Argentina. This is the place where teenage girls have to make a decision about the new life growing inside them. A few of them have, at a very young age indeed, already had children. For others, the idea of a future as a mother is new and terrifying. In many cases, though, having an abortion isn’t a decision to be taken for granted. Some of the girls have learned from childhood that getting pregnant is your own fault, and you have to accept the consequences. What they know about abortion comes from horror stories of clandestine practices in backstreet clinics. The hospital gynecologists and other staff, who can be heard but not seen, ask the girls about their well-being, their relationship, their family ties, and how they see the future—with or without a child. In these intimate and non-judgmental conversations, the girls respond with powerful candor in their most vulnerable moments.

Buenos Aires, 1977. In the midst of the dictatorship, a man receives information of the whereabouts or two people who are being searched by the military. Now he has the chance to save them, although that means risking his own life.

An old man, facing a housing problem, goes back to the place where he was raised. He starts to lose his mind, his memory slowly fades and confusion installs in his brain as he travels through those known landscapes.

An old man, facing a housing problem, goes back to the place where he was raised. He starts to lose his mind, his memory slowly fades and confusion installs in his brain as he travels through those known landscapes.

Rosario is a paid assassin who kills men who mistreat or abuse women. When the police capture her, it's the end of the myth. But Maria, a hysteric invalid, saves Rosario in exchange for a different job.

Three teenage friends, between bike rides, boring classes and days at the swimming pool, trigger a strong and different attraction between two of them that they did not feel before. Maybe it will be the last summer of their childhood, maybe it will be the last summer of the three of them together.