Julieta Dolinsky

Marcelo, 50 years old, has dedicated his life to teaching philosophy at the Public University and suddenly his mentor and boss, Professor Caselli, dies. Disoriented in this new landscape, Marcelo assumes that he will inherit the position left vacant by his mentor. What he doesn't expect is that Rafael Sujarchuk, a charismatic and pedantic philosopher trained in the best European universities, also covets the position. Between his multiple jobs as a philosophy professor in the local slums, at the university and privately with an 80-year-old millionaire, he must also prepare to run for office against this strong opponent who seems to have everyone on his side. Marcelo's clumsy efforts don't seem to be enough to get the job, but is that really what he wants?

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

1970년대 중반, 한 이방인이 조용한 시골 마을에 도착한다. 그는 레스토랑에 앉아 뚜렷한 이유도 없이 유명 변호사 클라우디오를 비방한다. 마을 사람들은 클라우디오를 옹호하며 이방인에게 모욕을 준 뒤 그를 쫓아내기에 이른다. 같은 날 늦은 저녁, 이방인은 끔찍한 복수를 결심하고 클라우디오와 그의 아내 수사나의 앞길을 가로막는다.

A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

Buenos Aires, 1977. In the midst of the dictatorship, a man receives information of the whereabouts or two people who are being searched by the military. Now he has the chance to save them, although that means risking his own life.

A couple must hold on to $100,000 for 24 hours as they wait to buy a house. As the time ticks by, the true nature of their love unravels.

Milagros is a cleaning lady in a TV studio. While working, the bloody 200 year Argentinian history occurs, bluring the line between fiction and reality.

Argentine history during the 20th century discovered by two teenagers, who investigate the lives of members of four different generations of the Lugones family.