Toni
젊은 여성이 사라진 예술가 아버지를 찾아 나선다. 그녀의 아버지 찾기 여정은 그녀를 이상한 캘리포니아 해변 마을로 인도한다.
Julie
앨런은 아내에게 이혼을 당한 소심한 성격의 인물이다. 그의 친구인 딕과 그의 아내 린다는 앨런에게 여러 여자들을 소개시켜 보지만 앨런은 결국 린다와 사랑에 빠지고 만다.
Sandra
A Harvard graduate transports a load of marijuana from Boston to Berkeley, California.
Lynn
A down on his luck former drug dealer is forced by a corrupt LAPD policeman to sell 100 kilos of confiscated marijuana in one weekend.
Joanna
After being bitten by a cobra in the Philipines, Lena can turn herself into a snake and she stops aging. The curse comes with a price. The priestess Lena must consume cobra venom and vital young men to stay young.
Corky
Before going off to World War II, Frank Arnold (Richard Crenna) relocates his wife, Ann (Claire Bloom), and son, Joshua (Richard Thomas), to New Mexico. Joshua has a difficult time fitting in, finding himself a minority in a predominantly Latino community, and his mother doesn't fare much better, treating her loneliness with increasing quantities of alcohol. At length, Joshua makes some friends and begins to adjust, but bad news from overseas threatens to spoil what he's accomplished.
Rita
At Oceanfront High School, female students are being targeted by an unknown serial killer. Meanwhile, a married teacher hides his flings with nubile students, and an awkward male is frustrated by the plethora of uninhibited freewheeling young girls.
Joy Broom
Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.
Kendell
A hip psychiatrist teams up with an ex-addict to combat drug addiction in a small town in this pilot for "The Psychiatrist."
Joy (as Joy Wener)
Sexuality without pretense gives the wallop to Events. A dramatic street story of young runaway flower-kids in the Greenwich Village of 1968, it raises ethical questions while the screen explodes with erotica."EVENTS is without question, the most far-out sexually experimental film made in the sixties or seventies."--Bruce Williamson, Playboy
Low-budget film illustrates the various factors which have lead a man to hijack a plane to Cuba.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.