Isabel Machado
출생 : , Lisbon, Portugal
약력
Isabel Machado was born in Lisbon in 1974 and is one of C.R.I.M.'s directing managers and producer. She has a degree in Communication Design from the Lisbon University. She studied Visual Arts at Maumaus School of Photography. Since 2002 she is a full time producer of films and artistic projects. Finalist of the workshops in development and production of films EAVE 2005 and documentaries EURODOC 2008, she is now doing her PhD on Performing Arts and Moving Images at the University of Lisbon. She is responsible for the development, production and distribution of institutional videos, documentary and fiction films and visual art projects in C.R.I.M.
Producer
Raised without parents in an isolated mansion on Portugal’s southernmost coast, Milene turned out a sort of adult wild child — impulsive, often withdrawn, prone to hysterical outbursts. When her grandmother-minder dies, the stuffy relatives who ignored Milene until now must decide what to “do with” her. Institutionalization? Some menial job? They don’t reckon she might have her own firm ideas on the matter, especially after she meets construction worker Antonino, who’s part of a much warmer clan living on the grounds of the shuttered factory that once enriched her own family. The heart wants what it wants…but will anyone respect Milene’s desires?
Producer
한 낯선 사람의 도움으로 폭력적인 남자친구로부터 탈출한 올리비아. 안전이 두려운 그녀는 그녀에게 도움을 준 친절한 남자 토마스의 거처에서 함께 지낸다. 하지만 그의 진짜 의도는 아무도 모른다.
Producer
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
Producer
A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.
Producer
Certain moments seem to stretch time differently, lingering in our minds longer than others do. They can be a positive memory, of a peaceful afternoon on the beach, or a negative one, like the helplessness that comes with a moment of uncertainty. In a house with vestiges of someone moving (leaving or arriving?), two women attempt a dialog filled with absences, trying to decipher the past and the future. Enigmatic, somewhere between an illusion and a daydream, time here seems suspended, lulled by silences and shadows.
Producer
On the riverside quay of the enormous container port of Lisbon two old decaying sky-blue painted buildings are located directly opposite to each other. One is closed and abandoned, the other inhabited by the two bright and inquisitive girls Ana and Matilde. Watching the closed building every single day and night the sisters get more and more suspicious. Strange phenomenons and movements behind the thick blue walls increase their curiosity. How is possible what their children`s eyes are witnessing? Who are those mysterious neighbours? How to discover old house`s secret?
Producer
At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.
Producer
Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.
Producer
1993년 전쟁이 벌어지던 사라예보의 한 노인은 자신의 과거를 잊고 싶다. 제2차 세계대전의 시대를 살아가는 아이는 자신에게 주어진 시간을 보내는 방법을 알지 못한다. 두 사람은 다른 시대를 살아가던 동일 인물이라는 것이 드러난다.
Producer
Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.
Producer
A path for tourists on their way to the Castle of São Jorge, the Pátio Dom Fradique was once a popular courtyard where around sixty families used to live.Today, ruins of their houses are the unique remains.There, the erased memories of the old city history and the frenzy of the new Lisbon give way to a contemporary urban tale.
Producer
19 세기 말 포르투갈의 소작농들은 더 나은 노동 조건을 위한 용기 있는 투쟁을 시작했다 극도로 굶주렸던 세대 이후 포 루투칼에서 일어난 카네이션 혁명은 농지개혁에 대한 희망의 씨를 뿌렸다 남부 포르투갈의 알렌테조 지역의 시골 농가 일꾼들은 지주들의 권력의 상징이었던 거대한 재산을 차지했다 알렌테조에는 다음과 같이 전해지는 말이 있다 아마도 다른 과 일 의 잃어버린 씨앗들 어떤 것을 잃어버렸을 때 그것을 찾는 사람들은 처음부터 다시 걷기를 시작해야만 한다 고 그리고 세상을 더 잘 인식하기 위해서는 반드시 성녀 루시아에서 기도하고 물어서 우리의 시각을 깨끗하게 해야 한다 고 이 다큐멘터리의 주인공들은 어렸을 때부터 일해왔고 대부분 문맹이며 투쟁을 이끌어나가는 저항 세력들인 오늘날 의 젊은 세대에게 자신의 언어로 그들이 직접 겪었던 이야기를 하고 있다
Producer
Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.
Producer
Bound by a silent pact, five students make a secret trip to the country for what seems to be an initiation ceremony. In threatening landscapes and abandoned ruins, they submit to the strange rituals of their leader, the Dux.
Producer
정치적 이유로 망명을 떠나야 했던 포르투갈의 시인 호르헤는 소피아와 약 20년간 편지를 주고 받으며 우정을 나눈다. 시인 소피아 안드레센과 호르헤 데 세나가 주고 받은 실제 편지들을 바탕으로 만들어진 독특한 형식의 영화. 여러 출연자들이 각자의 공간에서 편지를 낭독하는 가운데 과거 포르투갈의 기록 영상, 뉴스 클립 등이 섞여든다. (2017 포르투갈 영화제_포르투갈의 여성 감독들)
Producer
This film dives into a new world of possibilities, from the diversity of emotions tcreated by this one man alone in this house to his behavior and transformation on the world that he is creating.
Producer
Other Letters or The Invented Love deals with the passionate book New Portuguese Letters, a collective work written by the authors known as the Three Marias in the 70s, as a pretext for a short cinematographic inventory about relationships and affection between people today and always.
Producer
부유한 귀족 호베르투는 많은 여성들과 만남을 갖지만 사실 누구에게도 깊은 애정을 느끼지 않는다. 그러던 어느 날, 호베르투는 한 파티에 참석했다가 매력적인 여성을 만나 그녀의 기구하고 극적인 사연을 듣는다. 연극의 실내 무대를 적극적으로 활용한 독특한 미술, 해설자의 갑작스러운 개입 등 실험적인 연출이 돋보이는 멜로 드라마.
Producer
Eden's Ark is a journey through the dramatic, chaotic, precarious world of botany and film preservation. A journey in danger and poetry, across the ice and the tropics, following adventurers and preservers, and confronting what we lose and save.
Producer
We went on discovering the story of princess Wakasa who fall in love with Fernão Mendes Pinto and was exchanged for a gun's secret.
Producer
We don`t know much about the future world where people need to visit 'Kinotels'. But we know that going to the cinema has radically changed. It has become a computer directed kind of intimate ritual during which people enter another reality and switch personality. This is the short story of aman and a woman who visit a Kinotel.
Producer
This inward portrait of young Vania follows her from Bulgaria to Portugal and Spain and back home. Vania wishes a better life searching her personal independence and identity. She experiences illegality, isolation and exploitation while she tries to find answers for life's major decisions. This is a film about emigration from a feminine point of view. It tells us the hopes and fears of a common person and consists in reflection about everyday life's reality. It's about growing up and putting off life ... while hopping that, one day, the utopia of Europe will actually happen.
Director
A reflective film essay, a machine of though, presented in tableau-form, composed by digital postcards on video format. Inspired by Donna Haraway the film is about a future of response-ability to inhabit the n-dimensional niche space called Earth or Terrapolis. We look for “real stories that are also speculative fabulations and speculative realisms. (…) stories in which multispecies players, who are enmeshed in partial and flawed translations across difference, redo ways of living and dying attuned to still possible finite flourishing, still possible recuperation.”
