Assistant Editor
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause.
Director of Photography
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause.
Producer
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause.
Director
The first candid film made on a foreign chief of state, three weeks in the life of Jawaharlal Nehru.
Producer
Susan Starr is a talented young concert pianist preparing for the biggest competition of her life. She also happens to have a terrible cold that keeps her in bed and an omnipresent mother. Battling against 34 of the most talented pianists in the world at the Metropolitan Opera House in New York, Susan hopes to win not only prize money in the Dimitri Mitropoulos International Piano Competition, but also the recognition that could launch the musical career for which she has been working since she was three years old. Following Susan through the hectic days leading up to the event and through the competition itself, the film captures the intense reality of an aspiring young artist facing the challenge of her life.
Director
During the fertile early years of Drew Associates following the breakthrough of Primary, came this seldom-seen portrait of David Allen, a jazz trumpeter struggling in the Santa Monica drug rehabilitation center Synanon House. Pennebaker’s love of music drew him to David and the film prefigures later portraits such as Dont Look Back. He teamed with Life photographer William Ray and producer Gregory Shuker.
