Masato Hara
출생 : 1950-07-15,
약력
While still in secondary school, Hara Masato (1950) won several prizes with his 16mm film A Sad Yet Funny Ballad. In 1970, he wrote the script for Oshima Nagasi's film The Man Who Left His Will on Film. In 1973, he completed The First Emperor, a film on which he worked for three years. The film was selected by the magazine Kinema Jumpo as one of the most important films in Japanese film history. From the 1980s on, Hara focused increasingly on television documentaries. In his work, he makes use of various media, mainly animation and laser disk images and he often combines the screening of his films with live performances.
Director
Hara's new film 「焼け跡クロニクル」 is a documentary film about Hara's attempt to rebuild his life from scratch after his house burned down in 2018 and he lost all his household goods and film equipment. Co-produced with Maori Hara, his partner in both public and private life, the film combines 8mm film salvaged from the ruins of the fire with digital footage shot on an iPhone to tell the story of his recovery from the fire.
Self
Masato Hara made his directorial debut in high school in 1968 and achieved a reputation as a young prodigy. Many years later, he continues to make films and show his old experimental 'live-screening' films, but is saddled with massive debts. This film follows eight years in his life.
Editor
At the age of 63, Masato Hara becomes father to a pair of twin sisters, and for the first time in his life must work part-time jobs to make a living.
Music
At the age of 63, Masato Hara becomes father to a pair of twin sisters, and for the first time in his life must work part-time jobs to make a living.
Director of Photography
At the age of 63, Masato Hara becomes father to a pair of twin sisters, and for the first time in his life must work part-time jobs to make a living.
Writer
At the age of 63, Masato Hara becomes father to a pair of twin sisters, and for the first time in his life must work part-time jobs to make a living.
Director
At the age of 63, Masato Hara becomes father to a pair of twin sisters, and for the first time in his life must work part-time jobs to make a living.
Director of Photography
A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.
Writer
A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.
Director
A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.
Director of Photography
Film director Masato Hara welcomes MAORI as a partner and begins a new life. The two of us routinely turn the 8mm camera and make songs while the days go by. The time between the two will soon be the time for the three with their newborn eldest son, KOBOH. And a small family trip. Head south from Kyoto to Hiroshima, Kyushu, and Okinawa. Put enough luggage, shooting equipment and accordion in a small car.
Screenplay
Film director Masato Hara welcomes MAORI as a partner and begins a new life. The two of us routinely turn the 8mm camera and make songs while the days go by. The time between the two will soon be the time for the three with their newborn eldest son, KOBOH. And a small family trip. Head south from Kyoto to Hiroshima, Kyushu, and Okinawa. Put enough luggage, shooting equipment and accordion in a small car.
Film director Masato Hara welcomes MAORI as a partner and begins a new life. The two of us routinely turn the 8mm camera and make songs while the days go by. The time between the two will soon be the time for the three with their newborn eldest son, KOBOH. And a small family trip. Head south from Kyoto to Hiroshima, Kyushu, and Okinawa. Put enough luggage, shooting equipment and accordion in a small car.
Director
Film director Masato Hara welcomes MAORI as a partner and begins a new life. The two of us routinely turn the 8mm camera and make songs while the days go by. The time between the two will soon be the time for the three with their newborn eldest son, KOBOH. And a small family trip. Head south from Kyoto to Hiroshima, Kyushu, and Okinawa. Put enough luggage, shooting equipment and accordion in a small car.
Director
With two people I met on the live screening tour of my previous film The Eternal Traveler, Kaneko Tomokazu (17) and Onuma Ryoko (23), posing as my son and my daughter, the "Road Movie Family" went on voyage in the summer of 1996, taking five cameras with them. This journey became the core of our film, with each of us editing his or her own part, adding his or her own voice-over, trying to achieve an "I-movie" with several "I" s.
Screenplay
두 고교생 남녀의 영화만들기를 통해 미래에 대한 희망과 두 사람 사이에 싹트는 사랑을 그린 청춘 판타지 영화. 감독은 모모요의 과객(百代の過客)의 하라 마사토로 독립영화의 세계에서 70년대부터 주목을 받았지만, 이번 작품으로 상업영화에 데뷔, 이 작품으로 97년도 일본영화감독협회 신인상을 수상했다. 각본은 나카지마 고로와 하라 마사토가 공동 작업했으며 촬영은 바바 준이치가 담당했다. 주연은 이 영화가 영화 첫 데뷔작인 인기 아이돌 히로스에 료코와 신인인 마르시마 츠토무가 맡았으며 히로스에 료코는 이 작품으로 제21회 일본 아카데미상 신인상을 수상했다.
Director
두 고교생 남녀의 영화만들기를 통해 미래에 대한 희망과 두 사람 사이에 싹트는 사랑을 그린 청춘 판타지 영화. 감독은 모모요의 과객(百代の過客)의 하라 마사토로 독립영화의 세계에서 70년대부터 주목을 받았지만, 이번 작품으로 상업영화에 데뷔, 이 작품으로 97년도 일본영화감독협회 신인상을 수상했다. 각본은 나카지마 고로와 하라 마사토가 공동 작업했으며 촬영은 바바 준이치가 담당했다. 주연은 이 영화가 영화 첫 데뷔작인 인기 아이돌 히로스에 료코와 신인인 마르시마 츠토무가 맡았으며 히로스에 료코는 이 작품으로 제21회 일본 아카데미상 신인상을 수상했다.
Director of Photography
Filmmaker Masato Hara and his teenage son set off on a road trip, following the route of Basho's Narrow Road to the Deep North.
Writer
Filmmaker Masato Hara and his teenage son set off on a road trip, following the route of Basho's Narrow Road to the Deep North.
Editor
Filmmaker Masato Hara and his teenage son set off on a road trip, following the route of Basho's Narrow Road to the Deep North.
Director
Filmmaker Masato Hara and his teenage son set off on a road trip, following the route of Basho's Narrow Road to the Deep North.
Sound
In 1971, Hara Masato and a group or actors started shooting his 16mm film, The First Emperor, based on an old Japanese book about history and myths that is known as the Kojiki ('Record of Ancient Matters'). He did not finish the film.
Music
In 1971, Hara Masato and a group or actors started shooting his 16mm film, The First Emperor, based on an old Japanese book about history and myths that is known as the Kojiki ('Record of Ancient Matters'). He did not finish the film.
Editor
In 1971, Hara Masato and a group or actors started shooting his 16mm film, The First Emperor, based on an old Japanese book about history and myths that is known as the Kojiki ('Record of Ancient Matters'). He did not finish the film.
Producer
In 1971, Hara Masato and a group or actors started shooting his 16mm film, The First Emperor, based on an old Japanese book about history and myths that is known as the Kojiki ('Record of Ancient Matters'). He did not finish the film.
Director
In 1971, Hara Masato and a group or actors started shooting his 16mm film, The First Emperor, based on an old Japanese book about history and myths that is known as the Kojiki ('Record of Ancient Matters'). He did not finish the film.
Screenplay
카메라를 가지고 도망치던 한 남자가 옥상에서 추락사하고, 그의 카메라로 영상을 찍던 주인공은 점차 현실의 모든 것이 혼란스러워진다. 결국 그 역시 카메라를 든 채 빌딩 위에서 추락하고, 다른 남자가 다시 카메라를 빼앗아 달려간다.
Masataka Hara
에디는 '준'이라 불리는 게이바에서 가장 잘 나가는 호스트이다. 그는 마약을 거래하는 바의 주인인 곤다와 내연의 관계에 있었다. 곤다는 바의 매니저인 레다와 동거하는데 레다는 곤다가 에디와 관계를 맺는 것을 알고 격렬한 질투심에 사로잡힌다. 에디는 레다가 질투하는 것을 알고는 엄청나게 놀란다. 그것은 에디에게 무시무시한 그의 과거 기억을 떠올리게 했기 때문인데...
Director
A young man sets out to make a Super 8 film, but isn't sure what the film should be about.
Writer
A young man sets out to make a Super 8 film, but isn't sure what the film should be about.
