Jeremy Chua

40-year-old housewife Cai has lost track of who she is and who she wants to be. During one of her daughter’s basketball matches, she inadvertently injures an elderly woman. This seemingly trivial event is a catalyst for a life spinning out of control, as past events resurface while she moves into an unknown future. Director Qiu Yang follows a series of multi-awarded shorts with his debut feature, a mesmerizing and intimate drama about a woman forced to confront the wreckage of her life and her longing for change?

태국 북부 치앙마이에서 살고 있는 쏜은 샨족이라는 종족, 미등록 이주민이라는 신분, 게이 업소 마사지사라는 직업 등 모든 사회적 위계에서 밑바닥에 자리한다. 어려운 상황 속에서도 여자친구와 미래를 꿈꾸며 일상을 살고 있는 쏜에게 경찰 간부 단골이 거부할 수 없는 제안을 한다.

After his sister-in-law dies in a freak motorcycle accident in Saigon, Thien is bestowed the task of delivering her body in their countryside hometown to which he also takes his nephew Dao (5) who miraculously survived the crash. Amidst the mystical landscapes of rural Vietnam, Thien begins a search for his older brother who vanished years ago to hand Dao over to him - a journey which deeply questions his faith.

Acts of violence bring repercussions for exterminator Chua and his son Meng, who has been under pressure from bullies. Military service offers Meng escape into the jungle, an unknown world which could bring him closer to understanding his own nature.

카리스마 넘치는 군 장성이 퇴역 후 고향에 내려와 선거 출마를 준비한다. 갓 성년이 된 라킵은 수감된 아버지의 뒤를 이어 그의 시중을 든다. 그는 라킵을 친아들처럼 여기며 자신이 터득한 세상 이치를 몸소 알려준다. 그것은 바로 약육강식의 냉혹한 현실과 권력의 무서움이다. 그러던 어느 날 그는 자기 얼굴이 새겨진 선거 포스터가 훼손된 모습에 격분하고, 라킵은 범인을 찾아 나서지만 이는 돌이킬 수 없는 파국으로 이어진다.

Set in Thom Rom; a poor coastal village in South Vietnam, the film centers on three women, whose love lives are unusual and unique to their nature. Their story is the contrast between the unsettling sentiments beneath and the pretentious peacefulness on the surface.

A Youtuber posts an irreverent video trolling a megachurch pastor, in defence of his gay twin brother. He is vilified by society, tried in court, and pitted against a culture that threatens to destroy his family.

The Age of Revelation tells the tale of a mythic figure who wanders through the world and observes the slowly growing disconnection between humanity, nature, and humanity’s innate spirituality. A sound-film collaboration between SAtheCollective and filmmaker Liao Jiekai as part of an artist commission by the Singapore Chinese Cultural Centre, this film features choreography by performance artist Effendy Ibrahim and participation by local performers and dance artists as the cast.

의대에서 조교로 일하는 레하나는 초등학교에 다니는 어린 딸 에무와 함께 사는 싱글 워킹맘이다. 백수 남동생은 번번이 에무를 데리러 가는 시간을 놓치거나 문제를 일으키고, 레하나는 인슐린 주사를 맞아가며 곧 있을 시험을 준비하느라 정신이 없다. 어느 날 학부생들의 시험을 감독하다가 부정행위를 하던 학생 미미를 퇴실 조치시킨 그녀는, 이에 항의하던 애니가 그날 저녁 지도교수 애러핀의 방에서 뛰쳐나오는 것을 목격하게 된다. 레하나는 아무도 지지하지 않는 싸움을 시작한다. (제26회 부산국제영화제)

Lost while visiting the graves of his ancestors, the protagonist finds his future self. Together, they embark on a journey of retracing the places their family would visit during the Qing Ming festival of tomb-sweeping. Inspired by the poetry and in memory of Yeng Pway Ngon (1947–2021).

During the pandemic, the filmmaker’s son found himself stuck at home for a very long time. Ying Liang watched him cut out a portrait of Abbas Kiarostami from a book, and create a face mask on the face of the Iranian filmmaker. Liang observes how his son builds a ‘world’ on his bed, makes a paper airplane, and flies various places with his new friend Abbas Kiarostami. After spending the whole day flying, he falls asleep on that same bed with the family’s kitten. In his dreams, he uses the ‘magic’ he has learned from an online magic course to remove the face mask. With The World of Mindfulness, Chinese filmmaker Liang – who is now living in Hong Kong – creates a marvellously simple piece about the world of childhood, adding a touch of playful cinephilia.

Donna Ong is an installation artist, best known for her evocative and thought-provoking and often complex environments made from furniture, found objects and original artwork.

Something has gone wrong for a typical Singaporean family. After a man loses his job and the respect of his wife and teenage son, he tries to reconnect with his family by taking them on a trip to visit a childhood haunt. Now abandoned and falling apart, the place is nothing like he thought it would be—especially not the ghosts of his past lying in wait. 

1991년 여름, 과잉보호하는 엄마 밑에서 순종적인 아들로 살아가는 열세살 파올로는 일련의 지진에 이은 전국적인 정전으로 비디오게임을 할 수 없게 된다. 특별히 할 일 없이 거리를 배회하던 그와 친구들은 미군에 의해 얻어맞게 되고 자신들도 어른이 되었다는 것을 증명하기 위해 포경수술을 결심한다. 이웃에 마음에 드는 여자아이와 함께하기 위해 어머니의 반대에도 불구하고 유령 잡는 여행을 떠나려고 계획하는데...

From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.

중국정부에 비판적인 영화를 만들다 중국 내 활동이 어려워진 양수 감독은 5년째 홍콩에서 일종의 정치적인 망명 생활을 하고 있다. 홍콩인 남편과 함께 이제 4살된 아들을 두고 강의도 하고 새로운 영화 기획도 하면서 겉으로는 안정된 홍콩 주민으로 살고 있는 것처럼 보인다. 영화가 시작되면 이들 가족은 첩보영화 주인공들처럼 조심스럽게 대만으로 떠난다. 양수 감독이 5년전 중국을 떠난 후 고향에 혼자 남은 엄마가 중국 단체 여행단으로 대만에 도착했기 때문이다. 딸이 떠난 후 엄마는 중국 공안의 주기적인 감찰 방문조사에 시달렸고 그 모든 것을 녹음해 딸에게 건네준다. 이란 소박한 타이틀과 달리 평범한 한 가족의 잠깐의 재회를 위해 중국도 홍콩도 아닌 대만을 택해야 하는 이들 가족의 속사정을 온전히 이해하려면 중국현대사를 다시 되돌아보고 억압에 맞서며 예술가의 자유를 지켜내려는 잉량 감독의 영화 여정에 대한 되새김이 필요해진다. (성지혜/2018년 제23회 부산국제영화제)

가족에게 돌아가려 몸부림치는 인도계 싱가포르인 전과자. 중국인 매춘부의 보디가드를 맡으면서 어느덧 그녀와의 관계에서 위안을 얻는다.

Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.

A supernatural arthouse drama.

Jie doesn’t get along with his cult-going, homophobic mother, which makes harboring a secret crush on his boys fencing club teammate difficult. When his violent and troubled older brother, who was an avid fencer himself, returns suddenly after seven years, Jie is drawn to him and sees him as the savior from his unbearable mother. As his brother struggles to deal with his situation, Jie will find out just how far he is willing to go for him.

Intersecting stories of a film school graduate, a cinema-projectionist and a home delivery boy who look for individual hope to adopt with the complex power structure in contemporary Dhaka city.