Writer
폴란드 출신의 레나는 아직 어린 임산부다. 곧 출산을 앞둔 그녀는 이탈리아에서 아이를 낳은 뒤 돈을 받고 아이를 불법 입양시킬 계획을 갖고 있다. 그러나 예상보다 일찍 태어난 아이에게 모유를 먹이게 되면서 레나는 큰 갈등에 빠진다. 한편 입양 브로커이자 레나의 임시 보호를 맡고 있던 에르만노 역시 무거운 책임감을 느끼기 시작한다. 과연 레나는 자신의 딸 ‘쏠레’를 입양보낼 수 있을까? 2019년 베니스영화제 매직랜턴상 수상(호라이즌 부문)
Director
폴란드 출신의 레나는 아직 어린 임산부다. 곧 출산을 앞둔 그녀는 이탈리아에서 아이를 낳은 뒤 돈을 받고 아이를 불법 입양시킬 계획을 갖고 있다. 그러나 예상보다 일찍 태어난 아이에게 모유를 먹이게 되면서 레나는 큰 갈등에 빠진다. 한편 입양 브로커이자 레나의 임시 보호를 맡고 있던 에르만노 역시 무거운 책임감을 느끼기 시작한다. 과연 레나는 자신의 딸 ‘쏠레’를 입양보낼 수 있을까? 2019년 베니스영화제 매직랜턴상 수상(호라이즌 부문)
Screenplay
Rocio is 20 years old and has been detained in an identification and expulsion center in Rome, pending deportation to her country of origin. During her detention Rocio has become pregnant, but she is unwilling to reveal how or with whom this has happened, preferring to remain silent. By law, pregnant women cannot be detained. So Rocio is released, four months into her pregnancy and with a temporary permit of stay on maternity grounds. Now she is free, but must also go ahead with an unwanted pregnancy.
Director
Rocio is 20 years old and has been detained in an identification and expulsion center in Rome, pending deportation to her country of origin. During her detention Rocio has become pregnant, but she is unwilling to reveal how or with whom this has happened, preferring to remain silent. By law, pregnant women cannot be detained. So Rocio is released, four months into her pregnancy and with a temporary permit of stay on maternity grounds. Now she is free, but must also go ahead with an unwanted pregnancy.
Screenplay
Clara observes her sister Sofia, locked in her own world, where there is no space for words and communication takes place only through objects, more effective than certain dialogues between a father and a daughter.
Director
Clara observes her sister Sofia, locked in her own world, where there is no space for words and communication takes place only through objects, more effective than certain dialogues between a father and a daughter.
