Goopy Bagha Phire Elo (Bengali: গুপী বাঘা ফিরে এলো) (1992) is the third sequel of Goopy Gyne Bagha Byne series. It was directed by Sandip Ray and written by his father Satyajit Ray. This film was released eleven years after its predecessor Hirak Rajar Deshe.
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
Sasanka (Subrata Nandy) grows depressed as his house and his career as a theater actor both crumble around him. When his cold-hearted, widowed sister-in-law Saraju (Aloknanda Dutt) arrives with her adorable young son Kanu (Aniket Sengupta), Sasanka's mood eventually changes. Kanu and Sasanka become fast friends as the youngster benefits from his uncle's wisdom and acting ability.
Headman
When a Dalit wins the elections for mayor in his small village in northeastern India, deadly rioting forces an impoverished couple to escape to Calcutta where they can hopefully find work. Instead, they end up sleeping on the streets until they have a chance at earning a little income -- a man has asked them to take his herd of pigs across a fast-moving river. The current is dangerous, and worse, the wife is pregnant and this would not be an easy task even if she were not. Undaunted and desperate, the couple accept the job and enter the river to face their destiny.
Prohori
When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.
Aparna's father, a police officer, fixes her marriage of his own choice. Aparna does not agree with her father and she flees from home. Her father arrests Aparna's friends and interrogates them one by one.
Arjun
탐정 펠루다는 바라나시에서 휴가를 보낸다. 그러나 가네쉬(코끼리 신) 황금상 도난사건이 일어나고, 펠루다는 조사에 착수한다. 펠루다는 무자비한 무역상, 칼잡이, 어린 소년 등 여러 용의자를 만나지만 누구 하나 진실을 말하는 이는 없다.
(영화의 전당)
It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.
Mandar Bose
A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
Pritish Sarkar
영화배우 아린담 무케르지가 시상식 참가를 위해 델리로 가는 밤기차에 오른다. 기차에서 한 기자가 그에게 독점 인터뷰를 제안하고, 그들은 대화를 시작한다. 사트야지트 레이는 인터뷰를 통해 과거와 꿈, 기차 안 승객들의 이야기까지 결합시켜 기묘한 이야기를 구성한다.
(영화의 전당)
Fellow Liberal at the Party
1870년대 인도. 차루는 외롭고 한가한 생활을 하고 있다. 차루의 남편 부파티는 가정생활보다 신문제작에 더 많은 시간을 할애하기 때문이다. 남편의 사촌이자 시인인 아말이 그들의 집으로 오게 되고, 차루는 아말과 문학적 교감을 나눈다. 위태로운 결혼생활의 모습과 자신의 목소리를 확립하기 위한 첫걸음을 내딛는 여성의 이야기를 담았다.
(영화의 전당)
