Yoshiko Ôsawa

Reiko teaches at an acting school while working as an actress. Her career has stalled, but she gets a chance to appear in a feature film from a theater group friend who is now a famous actor. Reiko is elated, but then she gets a call from her mother Yukie.

University student Nozomi tries to get a job. Back in her hometown, she was lazy, but now Nozomi is used to the quicker pace of Tokyo. Nozomi is also experiencing problems with her boyfriend Kameyama, who seems to be travelling at a different speed in life and work. Meanwhile, Saeko works very hard in the advertising field and she is faithful to her boyfriend Tomoya. Yet, on their first year anniversary, Saeko hear's woman's voice on Tomoya's cellphone. Based on the anthology manga of the same name.

Reveals the history of camerawomen around the world, celebrating not only the survival of pioneer women in a male-dominated field, but a new generation of camerawomen's visions.

Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.

Mitsuko, a thirty-something Japanese secretary, lives a very simple life devoid of ambition. She has an affair with Eiji, a rich, arrogant and newly divorced businessman who is intrigued by her retiring personnality but she quickly breaks up as he repeatedly tries to make her change her lifestyle and values. While Eiji ponders the reasons of the breakup, Mitsuko falls for one of her neighbours, a young slacker who has the same approach to life as her. But Mitsuko's new lover is fascinated by Eiji's power and social status... A triangle that will inevitably leave one of the characters "unloved".

Amidst the swirl of Tokyo's seamy nightlife of designer drugs, casual sex, and American slang, Zhou turns 30. It's a spiritual crisis for this Chinese immigrant who quotes Confucius, this Lothario and con artist who fences stolen goods. He falls for Kyōko, a seemingly shy provincial woman looking for the man who jilted her sister. As their relationship plays out, Hanawa intercuts stories of Kazuo, a hyperkinetic artist who loves the trendy Yōko (Kazuo bores her, and she pursues the indifferent Zhou), and Ali, a Pakistani Muslim who, broke and forlorn, stands outside a convenience store, love-struck by a clerk because she looked into his eyes (she thought he was shop-lifting)