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Janine Bazin and André Labarthe approached Chantal Akerman about making a film for the series; eagerly, Akerman proposed a number of filmmakers—but all had already been done. So she suggested…“How about me?” Akerman creates a fascinating self-portrait that takes us through her career, aided by critics Emmanuel Burdeau and Jean Narboni and filmmaker Luc Moullet.
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Chantal Akerman meets with elderly Jewish women in Paris, all of them survivors of the Shoah, and listens to their family stories. Between interviews, Akerman's mother Natalia speaks of her own family. Made for a French miniseries on grandmothers.
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서로 다른 시대를 배경으로 한 이야기가 중첩되면서 ‘영화 속 영화´ 형식을 취한 작품. 1942년과 1962년에 만들어진 미완성 필름을 라울 루이즈가 일단락시켰다. 미로 건축물을 걷는 것 같은 분위기를 연출하는 작품.
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Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
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A Creator of the Imaginary: Patrick Bokanowski
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