Editor
가난하고 문맹이지만 아르헨티나 정부에 맞서 정당하다고 생각하는 것을 얻을 용기가 있는 여성의 이야기이다. 그녀는 딸의 임신을 법적으로 중단하려고 한다. (제22회 전주 영화제)
Writer
가난하고 문맹이지만 아르헨티나 정부에 맞서 정당하다고 생각하는 것을 얻을 용기가 있는 여성의 이야기이다. 그녀는 딸의 임신을 법적으로 중단하려고 한다. (제22회 전주 영화제)
Director
가난하고 문맹이지만 아르헨티나 정부에 맞서 정당하다고 생각하는 것을 얻을 용기가 있는 여성의 이야기이다. 그녀는 딸의 임신을 법적으로 중단하려고 한다. (제22회 전주 영화제)
Director
Editor
It is February when the almost 60 women that make up the 40/90 Ballet get together to start working. 8 months of hard rehearsals await you. The group is made up of housewives, employees, psychologists, teachers, merchants. There are married, single, widowed and divorced. The youngest is 47 years old, the oldest 81, and except for one, none of them has ever danced professionally. With 87 years in tow, Elsa, the director of the Ballet, arrives. This great and hyperactive woman with white hair and a cane is responsible for thinking the choreographies, adapting the music, designing the costumes and lighting among many other things.
Cinematography
It is February when the almost 60 women that make up the 40/90 Ballet get together to start working. 8 months of hard rehearsals await you. The group is made up of housewives, employees, psychologists, teachers, merchants. There are married, single, widowed and divorced. The youngest is 47 years old, the oldest 81, and except for one, none of them has ever danced professionally. With 87 years in tow, Elsa, the director of the Ballet, arrives. This great and hyperactive woman with white hair and a cane is responsible for thinking the choreographies, adapting the music, designing the costumes and lighting among many other things.
Producer
It is February when the almost 60 women that make up the 40/90 Ballet get together to start working. 8 months of hard rehearsals await you. The group is made up of housewives, employees, psychologists, teachers, merchants. There are married, single, widowed and divorced. The youngest is 47 years old, the oldest 81, and except for one, none of them has ever danced professionally. With 87 years in tow, Elsa, the director of the Ballet, arrives. This great and hyperactive woman with white hair and a cane is responsible for thinking the choreographies, adapting the music, designing the costumes and lighting among many other things.
Director
It is February when the almost 60 women that make up the 40/90 Ballet get together to start working. 8 months of hard rehearsals await you. The group is made up of housewives, employees, psychologists, teachers, merchants. There are married, single, widowed and divorced. The youngest is 47 years old, the oldest 81, and except for one, none of them has ever danced professionally. With 87 years in tow, Elsa, the director of the Ballet, arrives. This great and hyperactive woman with white hair and a cane is responsible for thinking the choreographies, adapting the music, designing the costumes and lighting among many other things.
Director
In debt and bankrupt, the “Grissinopoli” breadsticks factory is abandoned by its owners. However, its 16 workers decide to occupy, live and resist in their jobs so that it does not disappear. By forming a private worker cooperative they try to keep the company running by their own means, but this desperate and utopian way out of growing unemployment is not easy.
