Joaquín Octavio

A woman in line in the bank, looks at the neck of the man in front of her and starts to remember from where she knows him.

Camera in hand, Lalo walks and talks, as in his literary texts and in his visual art, about the city that looks at us and the city we look at, emphasizing the invisible places, the deterioration, and details of the urban environment that serve as a metaphor for narrating our Caribbean reality.