A drama about relations between Japanese immigrants and the indigenous Ainu on Hokkaido, the most northerly island of Japan. From a novel by Taijun Takeda.
The orphaned son of a count who was assassinated by his subordinates in a conspiracy during the Pacific War becomes obsessed with taking revenge on his late father's enemies.
Tatsu
Describes the oppressed life of the crab fishermen and their final revolt which is bloodily suppressed by the Royal Navy. (Set in the 1920's)
War-time jidaigeki by Eisuke Takizawa. Didn't find anything about it online, but Takizawa was a well-regarded director in his time. Akira Kurosawa worked as A.D. on several of his films.
Keizô Ogata
This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.
Wartime propaganda filmed by the Japanese in occupied China, Shirley Yamaguchi portrays an orphan rescued from the streets by a kindly Japanese merchant marine officer. Part spy thriller and part Shanghai travelogue, it was part of a popular series known as "Chinese Continental Friendship" made by the occupying Japanese in China.
Japanese movie
Japanese film.
The film recounts the tragedy of a young outlaw.
Prewar jidaigeki starring Denjiro Okochi
Yōjinbō
야쿠자 밑에서 일하는 가네코는 한창 오늘치 자릿세 수금을 하고 있다. 그러나 그는 남몰래 사랑하고 있는 오나미가 일하는 술집만은 지나친다. 가네코와 오래 알고 지낸 기타무라가 마침 그를 발견해 오나미의 가게로 이끄는데, 정신이 빠진 사이 가네코는 목숨보다 소중한 단검을 잃어버리고 만다. 한편, 남을 위한 희생 따위는 모르는, 조직의 우두머리 고우치야마 소슌이 단검을 찾기 위해 동분서주하는 가네코의 일에 휘말리게 된다.
Japanese historical film.
Gantaro Path
An important silent film survives, Kumahiko Nishina's Umon torimonocho rokuban tegara jinenji kidan (The Samurai Detective, aka The Detective Records of Umon, aka Detective Umon Diary: Exploit Number Six, 1930). Umon on his shining white horse stops a conspiracy against the Shogun. Umon was played by Kanjuro Arashi in this early film, & long after in the post-Occupation jidaigeki revival he reprised the role in Kajiro Yamamoto's Muttsuri Umon torimonocho (1955), helping to launch the renewed interest in such films.