Paul Boistelle

Rear Window meets Estate violenta. The middle-aged Constance watches a young couple that lives across the courtyard; the girl plays loud pop music and goes out of her way to be unpleasant to the classically educated and piano-playing Constance. Then one day Constance sees the boyfriend strangle the little tart in a fit of jealousy. He sees her, too, and has nobody else to turn to for help. Constance keeps silent about the murder and offers the young Hugo a place in her bed. Then the blackmail notes start to arrive...

Best-selling author Tyvian Jones has a life of leisure in Venice, Italy, until he has a chance encounter with sultry Frenchwoman Eva Olivier. He falls for her instantly, despite already having wedding plans with Francesca Ferrara. Winning Eva's affection proves elusive; she's more interested in money than in love. But Tyvian remain steadfast in his obsession, going after Eva with a fervor that threatens to destroy his life.

Anna, twenty-seven, married to building contractor Eric, refuses to live in his wake. Craving independence, she can exist through the art gallery she runs, but isn’t this occupation a mere wholesome distraction? When she meets Bruno and becomes his lover she thinks she will find fulfillment only to realize that she is just another plaything in a man’s hands.

Jacques, a young reporter, is in charge of covering the International Youth Meeting in Warsaw. He falls in love with a young participant, Mireille, who returns his love. The joy of the lovebirds is on a par with the general glee. But during a walk, they discover the ruins of the ghetto where so many victims of Nazism died. On a more intimate level, a serious problem of conscience arises for Jacques.

A nearly forgotten feature by one of the founders of Lettrism, Closed Vision was the directorial debut of Marc'O (born Marc-Gilbert Guillaumin), editor of the short-lived Lettrist film journal Ion and producer of Jean-Isidore Isou's infamous Traité de bave et d'eternité. Compared to that film or Maurice Lemaitre's Le film est déjà commencé?, Closed Vision is a more literary and downright genial effort. If Isou and Lemaitre were content to "destroy cinema" (exposing ugly, banal images or simply splicing in scratched-up blank leader in semi-conjunction with endless soundtrack harangues), Marc'O here seems almost to save it - or at least to invest serious effort toward finding a cinematic idiom equivalent to the novel's stream-of-consciousness (the subtitle is 'Sixty Minutes in the Interior Life of a Man'). Debuted at the 1954 Cannes Film Festival with endorsements from Jean Cocteau and Luis Buñuel.

A father wants to try by all means to avenge the death of his son, a test pilot, whose responsible is the attractive female star of a Parisian cabaret.

Together with her partner-in-crime Claude, Clarence sets her sites on famed explorer Maxime. It seems that Luguet has stumbled upon the fabled "elephant's graveyard" in the jungles of Africa, and Miranda intends to get her well-manicured mitts on all that valuable ivory.

Rocksford, New England, 1672. Puritan witch hunter Jonathan Wooley is cursed after burning a witch at the stake: his descendants will never find happiness in their marriages. At present, politician Wallace Wooley, who is running for state governor, is about to marry his sponsor's daughter.

An average worker who feels downtrodden at work and home, dreams of becoming a dictator. His aunt has her own fantasy that the love-of-her-life, a fairground magician, will return to her once more.

Jean is a ten-year-old boy who runs away from boarding school because he thinks he is the cause of his parents' marital breakup. A famous opera singer offers him shelter in her home.

The widow of a soldier in the 1914-1918 war, running an inn called "Au rendez-vous des veterans", is happy to see her daughter in love with an officer whose father was once in love with La Madelon.