Timir Baran

Throughout her life, Supriya loved a man and was married to another man however she did not either escape from her responsibilities as a doting wife. However, her inner feelings keep tormenting her all her life and her married life becomes an utter failure. She not only ruins her life but everybody else's around her. In the end, her life becomes nothing more than fragmented pieces of broken images.

A look at the daily lives of fishermen in East Bengal.

The plot revolves with series of flashbacks which reveals a judge's past and hidden secretes. Gyanendra, a judge lives with his wife Sarama. Being the Judge, every time of trial of similar cases he remembers his past, the truth about his questionable actions. Gyanendra always recalls when he was a popular lawyer, married to Sumoti, a suspicious and rude lady. But he had a weak feelings for his professor's daughter Sarama. One day Gyanendra's house was burnt and his first wife Sumoti dies. Gyanendra could not make any attempt to save her perhaps he was unable bear Sumati further. Thereafter he marries Sarama and becomes a judge but he realizes his crime and those past haunts him much.

In Manipur, in the early years of the 19th century, graceful and enchanting court dancer Indrani has captured the heart of Prince Chandrakirti. However, Indrani is looked down upon because of her low social standing and turned away when she tries to enter the city temple. She seeks solace in a crumbling temple, where all are welcome. Meanwhile, Prince Chandra comes under pressure to marry the princess of a neighboring land and secure a peace treaty for his kingdom.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.