José María Carretero

스페인의 화가 안토니오 로페즈는 자신의 집에 있는 모과나무를 화폭에 담고 싶어 한다. 그는 자신만의 리얼리즘 화풍도 고수하지 않고 작품을 완성하겠다는 의도도 없이 매해 가을만 되면 작업에 몰두 한다. 표면적으로 그가 작업을 통해 이루고자 하는 것은 부서지기 쉬운 나무와 좀 더 친밀한 시간을 보내려는 것이다. 그리고 그는 모과열매에 비치는 한줄기 빛을 잡게 되는데...

Exotic dancer with a masochistic streak can't decide which of two boyfriends treats her more thrillingly badly.

A snake-charmer falls in love with a circus trapeze artist who trains her and has her debut in this discipline.

Melodrama about marital infidelity.

This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.

A trapeze artist suffers the curse that causes her kisses to be deadly.

Leopoldo Quintana is a lawyer who, determined to reach power and capable of anything to get what he wants, uses blackmail and shady maneuvers to be appointed congressman for the Balearic Islands, then minister, and finally President of the Council of Ministers of the Spanish Government.