Nikos Exarhos

사채업자 스텔리오에게 돈을 빌린 '타나시'는 이자가 원금 2배 가까이 될 때까지 갚지를 못한다. 화가 난 스텔리오는 타나시의 농원을 찾아가 행패를 부리다 오히려 타나시에게 멱살을 잡히자 친구에게 부탁해 건달들을 마을로 보낸다. 한편, 타나시는 스텔리오에게 빚이 있는 친구들을 모아 강력한 목소리를 내기로 결심한다. 하지만 마을에 나타난 건달 두 명으로 인해 상황은 예상밖으로 흘러가고, 사채 빚에 시달리다 힘을 합하기로 했던 힘없는 업주들은 무리를 이루면서 어느 사이 먹잇감(양떼)이 아닌 잔인한 사냥꾼(늑대)으로 변해가게 되는데...

The story of a young woman's struggle to separate from her religious and superstitious upbringing. As she battles her traumatic past she discovers exactly how far she will go to reconcile her internalised doubts.

A teenage girl believes she never dreams, or otherwise doesn't remember any of her dreams; apparently, they are too dull to be worth keeping. But in the course of a single day at home, time will pass like a dream. And when she opens her eyes, she will find that her waking life, outside the world of her empty dream state, is a much lovelier place to be in.

A teenage girl believes she never dreams, or otherwise doesn't remember any of her dreams; apparently, they are too dull to be worth keeping. But in the course of a single day at home, time will pass like a dream. And when she opens her eyes, she will find that her waking life, outside the world of her empty dream state, is a much lovelier place to be in.

When a young girl's father suddenly disappears, her weirdo neighbor - an eccentric supermarket cashier - is forced to take care of her.

Seems like an ordinary trip to a remote beach. Four young women enjoy the warmth of the sun, the coolness of the sea and one another's company. None of them is "Winona"

Nick and Nora invite Angelos, an escort, for the night. Once upon a time, Nick and Nora fell in love at first sight; like all couples that fall in love at first sight, now they're almost happy. (IMDb)

A group of people in a dystopian future is led through the last forest in existence. Plants? What were they again?

The leopard shall lie down with the goat. The wolves shall live with the lambs. And the young boy will lead them. 12+1 kids and the carcass of a whale washed ashore…

Eleni is diagnosed with cancer. After the initial shock she tries to get her life back together.

Mohamed, a six year old refugee, finds himself alone in a crowded Aegean beach. He is hiding behind a rock, watching the tourists bathing and waiting for his mother to come back. He lost her in the sea and now he needs to find her again, in order to keep up with the great trip to the West.

Five people gather in a house, totally unable to decide about the burial of their friend who just passed away. Their microcosm resembles the city outside, bursting with chaos and disorder.

Moderation, set in Egypt, Greece and Italy, revolves around a female horror director (Maya Lubinsky) and a screenwriter (Anna De Filippi), whose latest collaboration is haunted by encounters with its 'raw material' and the escalation of conflicting desires. Faced with the disintegration of their project, the director becomes more and more drawn into conversations with the actors she has cast (Aida El Kashef, Michele Valley and Giovanni Lombardo Radice), which reflect on the way horror traverses the affective and material realities of their lives on and off screen.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)