Yasutaka Watanabe

남자친구를 살해하려다 실패하고 감옥에 들어간 여자 사나에. 6년 뒤 사나에는 산림 관리를 하는 남자 켄타를 만나 결혼을 한다. 사나에와 켄타의 결혼 생활은 사나에의 전 남자친구의 아내가 등장하면서 새로운 국면을 맞이한다. 사나에는 아직 전 남자친구를 잊지 못하고 켄타는 그런 사나에를 감당하기 버거워진다.

After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo.

Two men working in a suburban scrap factory. A society in which parts that are no longer usable are easily replaced and continue to rotate as if nothing had happened. Evil gives birth to evil, lies are overlaid on lies, and weak ones hit even weaker ones. How should we live in this ruthless world? Faced with such an unanswered question head-on, swallowing all the contradictions and confrontations that are unevenly distributed, yet the possibility of salvation and the guidepost for liberation are out of the standard. The movie you are looking for on the scale of is born. Suspense full of speed and excitement, unpredictable angry development, stubborn lyricism and rugged humor in the meantime-giving the viewer a different dimension of horizon while giving a surprise similar to dizziness A terrifying monster movie to take away, that is this "Running the Night".

오사카 한인촌에 사는 젊은 여성 아이는 배우를 꿈꾸며 연기학원을 다니고 있다. 학원생들과 술을 마시고 클럽에 간 아이는 한 남자를 만나 그의 집으로 가고, 다음날 자신의 섹스 장면이 인터넷 포르노 사이트에 올라 있는 것을 보고 충격을 받는다.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter.

도쿄 교외에 살고 있는 니나는 복권에 당첨되어 친구 수와 함께 싱가포르로 첫 여행을 떠난다. 그들이 사는 곳과 다르지 않은 풍경을 지나던 니나는 스마트폰을 잃어버리고 수와 헤어지면서 새로운 경험을 하게 된다. 지금 일본의 젊은 세대를 가장 예리하게 그려낸 영화.

Naomi (Makoto Nishiyama), who returned to a small town because her adoptive father was about to die, met her brother-in-law, Hiroyuki (Hideyuki Kamada), again. Both of them have a history of becoming a man and woman, and Naomi feels an uncontrollable feeling for Hiroyuki. After that, she reunited with her childhood friend Yoshio (Yuya Matsuura) who also returned to the town....

Naomi (Makoto Nishiyama), who returned to a small town because her adoptive father was about to die, met her brother-in-law, Hiroyuki (Hideyuki Kamada), again. Both of them have a history of becoming a man and woman, and Naomi feels an uncontrollable feeling for Hiroyuki. After that, she reunited with her childhood friend Yoshio (Yuya Matsuura) who also returned to the town....

Naomi (Makoto Nishiyama), who returned to a small town because her adoptive father was about to die, met her brother-in-law, Hiroyuki (Hideyuki Kamada), again. Both of them have a history of becoming a man and woman, and Naomi feels an uncontrollable feeling for Hiroyuki. After that, she reunited with her childhood friend Yoshio (Yuya Matsuura) who also returned to the town....

Left alone by his music group, Nakanishi lands in a peaceful but strange village. He laughs and drinks with it's residents until the alcohol seems to have a supernatural effect on him ...

Miyoshi City, Hiroshima Prefecture. The junior high school boy with a zeal for finding fossils discovers the history of his hometown and experiences the changes around him. This is an ambitious work that depicts the land and time by blending various drama and documentary footage.