Alexander Onofri

참여 작품

Alena
Screenplay
When Alena arrives at her new elite boarding school, Filippa and the other girls start to harass her. But Alena’s best friend Josefin won’t let her take anymore beating. If she won’t strike back, Josefin will do it for her. Hard.
Roses, Kisses and Death
Screenplay
The country estate of Rödbergshyttan is surrounded by heavily fragrant roses in every color. There lives the beautiful Gabriella, who Christer loves, and an invitation to their engagement party is the reason for Puck and Einar to travel there. But the rose-scented idyll soon turn into a stifling background when Puck finds Gabriella's grandfather poisoned in his bed. Little by little we learn that the relations between the people living at the estate is everything but uncomplicated, and that there is a sexual frustration behind every well polished marriage. The question is to what extent beautiful Gabriella is involved in the intrigues and how much of a coincidence it is that her grandfather is killed just when Christer is in the house.
The Ballad of Marie Nord and Her Clients
Writer
Marie is a social worker in an immigrant dense suburb. Outside her daily work she runs a youth center, leads courses and functions as parole officer for young Belem, who has served time in a correctional center. She also takes care of Belem's son, Ray, when Ray's mother is at work. Belem's release from prison coincides with the appearance of an irritatingly nosy economist from the social services head quarters, curious about Marie's impressing but costly work. As pressure mounts, Marie's true feelings rise to the surface and her methods and motives are questioned.
The Ballad of Marie Nord and Her Clients
Director
Marie is a social worker in an immigrant dense suburb. Outside her daily work she runs a youth center, leads courses and functions as parole officer for young Belem, who has served time in a correctional center. She also takes care of Belem's son, Ray, when Ray's mother is at work. Belem's release from prison coincides with the appearance of an irritatingly nosy economist from the social services head quarters, curious about Marie's impressing but costly work. As pressure mounts, Marie's true feelings rise to the surface and her methods and motives are questioned.