Thrown back into a dusty 1980s and the height of the Iran/Iraq war, the film is a meditation on the cycles of violence and war and their infectious qualities. Clean, architectural sets are washed over by rivers of blood, as historical grievances are played back like excerpts from a documentary.
Thrown back into a dusty 1980s and the height of the Iran/Iraq war, the film is a meditation on the cycles of violence and war and their infectious qualities. Clean, architectural sets are washed over by rivers of blood, as historical grievances are played back like excerpts from a documentary.
One night, three bored young men in a car decide to pay a visit to an older man they only know vaguely. At first he’s glad to see them but soon afterwards thinks they’ve come to burgle him and turns a gun on them. When the police turns up, they’re all taken into custody.
One night, three bored young men in a car decide to pay a visit to an older man they only know vaguely. At first he’s glad to see them but soon afterwards thinks they’ve come to burgle him and turns a gun on them. When the police turns up, they’re all taken into custody.
One night, three bored young men in a car decide to pay a visit to an older man they only know vaguely. At first he’s glad to see them but soon afterwards thinks they’ve come to burgle him and turns a gun on them. When the police turns up, they’re all taken into custody.
A group of students travel to a remote region to participate in a kite-flying event. Next to their camp by the lakeside, they find a restaurant with cooks that treat the students with suspicion. Bizarre events lead to a complicated situation, from which the students cannot escape.
