The Galilean Princess Salome is one of the mythical female figures in Western cultural history. Her erotic dance in front of her stepfather Herod is already mentioned in the gospels of the Bible, for whom she has the severed head of John the Baptist brought on a bowl in return.
Franz Schubert's "Winterreise" is considered the pinnacle of German art song. Hans Zender (1936 - 2019) arranged the cycle in 1993, and his version for tenor and small orchestra brings to light emotions that pulsate beneath the surface in Schubert. Similar to Hans Zender, the choreographer Christian Spuck is also concerned with a journey into the interior of the human being.
왕자 타미노는 폭군 자라스트로가 밤의 여왕의 딸, 파미나를 납치해갔다는 사실을 전해 듣는다. 파미나를 구하기로 결심한 왕자는 여왕으로부터 마술피리를, 동행자인 새잡이 파파게노는 요술종을 받아 악당의 소굴로 향한다. 하지만 그 곳에서 밤의 여왕의 말과는 달리 자라스트로가 의로운 철학자라는 사실이 밝혀지고 타미노는 그 일원이 되기 위해 여러 시련을 거치기로 약속한다. 파파게노와 함께 감옥을 탈출한 파미나는 마침내 타미노를 만나지만 침묵 수행 중인 그가 말을 하지 않자 버림받았다고 오해를 하게 되는데...
A study of a man's physical and mental limitations. In the 24 quite harsh and grueling fragments of the unfinished drama, a body and a mind are tested as far as they can be pushed before their owner goes over the edge. Is there just one thing that proves to be too much for Franz Woyzeck, or is it an accumulation of miseries and torments of a wretched existence? Woyzeck is perhaps not so much a bleak account of how miserable life can be as how much strength is required to deal with the daily vicissitudes of life and how delicate and fragile a balance the human psyche rests on.
밤의 여왕은 타미노 왕자에게 자신의 딸인 파미나 공주가 자라스트로라는 폭군에게 납치되었다며 구출을 도와달라고 한다. 타미노는 새잡이 파파게노와 함께 파미나를 구하기 위한 여정을 시작한다. 그들은 여왕이 건넨 마술피리의 도움으로 공주를 만나지만, 자라스트로가 여왕의 말과 달리 폭군이 아니고 철학자라는 사실을 알게 된다. 타미노 왕자는 그들의 일원이 되기 위해 침묵의 시험을 받게 되고, 공주는 말 없는 타미노를 오해하기 이른다.
Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.
The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.
Christian Thielemann conducts the Staatskapelle Dresden in this performance of Wagner's opera recorded live in 2013. The performance was held for the Salzburg Easter Festival and featured vocalists including Johan Botha, Michaela Schuster, Stephen Milling and Wolfgang Koch.
