Lee Luna

참여 작품

Spider Veins
Cinematography
A mercurial narrative about the reunion of two old friends. Loosely inspired by Ibsen's 'A Doll's House'.
유어 시스터스 시스터
Diner Patron
아이리스는 짝사랑하는 잭을 힐링시키려 외딴 섬의 별장으로 보낸다. 그 곳에서 잭은 예정에 없던 아이리스의 언니 한나를 만나고, 둘은 술김에 돌발적으로 관계를 맺는다. 다음 날, 절대 안 온다던 아이리스가 오고 잭을 사랑한다고 언니에게 고백한다. 설상가상 언니는 단순히 아이를 가지려고 잭과 관계를 맺었다. ‘썸’을 건너 뛰어 ‘애로’가 많아진 세사람은 상상불가의 기상천외한 결정을 내리는데…
Two Story
Cinematography
A visual cat-and-mouse game, TWO STORY is a looped video installation that seems to hint that the various people who inevitably come in and out of your life can leave an imprint that will never quite go away.
Two Story
Producer
A visual cat-and-mouse game, TWO STORY is a looped video installation that seems to hint that the various people who inevitably come in and out of your life can leave an imprint that will never quite go away.
Two Story
Writer
A visual cat-and-mouse game, TWO STORY is a looped video installation that seems to hint that the various people who inevitably come in and out of your life can leave an imprint that will never quite go away.
I Could Live in Hope
Cinematography
A looped video installation shot in Seattle in fall 2010. A disembodied and seemingly innocuous conversation between a man and a woman acts as an exploration into the themes of ennui versus action, family versus individual, and how much your environment—both landscapes and people, both tangible and intangible—can affect the choices you make.
I Could Live in Hope
Producer
A looped video installation shot in Seattle in fall 2010. A disembodied and seemingly innocuous conversation between a man and a woman acts as an exploration into the themes of ennui versus action, family versus individual, and how much your environment—both landscapes and people, both tangible and intangible—can affect the choices you make.