Gilmar Gonzales

Some of the materials and studies that were made during 2015 for the conformation and creation of the short film New life. The selection, the re-appropriation and the montage of them, conform a new poetic that has a direct relation with the final work and at the same time opens a space that allows us to glimpse the creative process, transforming itself into a piece in itself. Materiales is like the B-side of another cinematographic work, as in the old 7-inch vinyl sigles.

Elder Mamaní’s father has died, and it looks as if young Elder couldn’t care less, even though he has no one to take care of him now. He goes to live with his grandmother in the outskirts of the mining city, Huanuni, where Francisco, his godfather, gives him a job at the mine. But it doesn’t take long for Elder, who cares more about getting high and wandering through dangerous alleys at night, to mess it up. But he soon finds out about a dark secret regarding Francisco’s involvement in his father’s death…

Elder Mamaní’s father has died, and it looks as if young Elder couldn’t care less, even though he has no one to take care of him now. He goes to live with his grandmother in the outskirts of the mining city, Huanuni, where Francisco, his godfather, gives him a job at the mine. But it doesn’t take long for Elder, who cares more about getting high and wandering through dangerous alleys at night, to mess it up. But he soon finds out about a dark secret regarding Francisco’s involvement in his father’s death…

Elder Mamaní’s father has died, and it looks as if young Elder couldn’t care less, even though he has no one to take care of him now. He goes to live with his grandmother in the outskirts of the mining city, Huanuni, where Francisco, his godfather, gives him a job at the mine. But it doesn’t take long for Elder, who cares more about getting high and wandering through dangerous alleys at night, to mess it up. But he soon finds out about a dark secret regarding Francisco’s involvement in his father’s death…