Michael Kustow

참여 작품

Art, Truth and Politics
Executive Producer
Nobel Lecture delivered on video by the 2005 Nobel Laureate in Literature Harold Pinter (1930–2008), who was at the time hospitalised and unable to travel to Stockholm to deliver it in person.
마지막 볼셰비키
Producer
1917년 러시아 혁명 이후 시베리아 벌판을 횡단하던 특별한 기차 하나가 있다. 좌석과 침대, 화장실 이외에도 편집실, 현상소, 회의실, 작은 영사실까지 구비된 이 열차는 혁명의 이념을 전파하고 오지의 소비에트 제국 농민들의 현실에 다가가고자 젊은 영화인들이 만든 것이다
Testimony
Producer
The story of the great Soviet composer Dmitri Shostakovich (1906-1975) and his life and career during the rule of Stalin.
Tell Me Lies
Writer
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
The Benefit of the Doubt
A documentary following US, Peter Brook's experimental play about the moral issues surrounding the Vietnam War, Benefit of the Doubt is the only known film record of the Royal Shakespeare Company production. It was filmed by Peter Whitehead concurrently with his Tonite Let's All Make Love in London (1967), on the surface a very different film, yet both share a central concern with the war, protest and Britain's political and cultural relationship with America.