T. A. Madhuram

Poori (Daisy Irani) does not know who his parents are, and has been looking high and low to get back to them. Seated in a park bench beside Sundararajan (Gemini Ganesan), Poori asks his name and as soon as he replies, he proclaims that Sundararajan is his father. This creates complications in Sundararajan’s life and ruins his plans of marrying his lover Latha (Savithri). The president of a hospital for the mentally ill with a not-so-mentally-strong daughter creates more problems for the hero. After many interesting twists and turns, the truth emerges — Poori is the illegitimate child of a soldier (Mustafa) and the abandoned mother commits suicide, leaving the child behind. Sundararajan ro and Latha are so attracted to Poori that they decide to adopt him.

Vaikuntam is a lad who lives in a village. He is a good singer and in love with a lass Nagammal. But Nagammal's brother is against their love. One day he ties Vaikundam to a tree. Vaikundam was rescued by a rich woman who was passing that way. She takes Vaikundam to her city. When she came to know that Vaikundam is talented in singing, she promotes him as a singer. She renames him as Geethamani. He becomes famous and also rich. He neglects his parents and ill treats them. His lover Nagammal tries to commit suicide because of his behaviour. How Geethamani realises his delusion and reconciles with his parents and Nagammal forms the rest of the story.

Rangoon Radha, Sivaji Ganesan plays a rich hypocrite, a wolf in sheep’s clothing, married to a loving, dutiful wife (Bhanumathi). He covets his sister-in-law (Rajam) and manipulates his wife’s mind to make her believe that she is going insane. Instead of seeking medical advice, he gets a witch doctor to exorcise the evil spirit that is believed to possess her. Because of her undying love for her husband, she suffers all the torture, mental and physical, and even puts up with his marrying her sister (Rajam).

Panam (English: Money) is a 1952 Indian Tamil-language film, directed by N. S. Krishnan. The film stars Sivaji Ganesan, Padmini, N. S. Krishnan and T. A. Mathuram in lead roles. The film had musical score by Viswanathan–Ramamoorthy

Panam (English: Money) is a 1952 Indian Tamil-language film, directed by N. S. Krishnan. The film stars Sivaji Ganesan, Padmini, N. S. Krishnan and T. A. Mathuram in lead roles. The film had musical score by Viswanathan–Ramamoorthy

Amarakavi (English: Immortal Poet) is a 1952 Indian Tamil language film produced and directed by F. Nagoor. The film featured M. K. Thyagaraja Bhagavathar and T. R. Rajakumari in the lead roles.

This film retells the slaying of the Hindu demon, Narakasura, by Krishna, aided by one of his wives, Satyabhama. Another episode involving the sanctity of the tulsi (holy basil) leaf also takes part, with Krishna, Rukmini, and Satyabhama.

Nallathambi (NSK) a simple rural man inherits an estate from his deceased Zamindar relative. The Zamindar's daughter Pushpa (Bhanumathi) falls in love with Nallathambi. However he loves another girl (T. A. Madhuram). Bhoopathy (Sahasranamam) the estate manager has his eye on the wealth and tries to cheat Nallathambi out of it. He goads Pushpa into filing a suit that Nallathambi is mentally insane. In the end Nallathambi defeats Bhoopathy's machinations.

Brothers Veer and Shashank fall in love with Chandralekha. Shashank kidnaps her and forces her to marry him. She requests a special drum dance prior to the wedding. The drums, however, hold a secret.

Valli, a tribal girl falls in love with Muruga. But Muruga plays mind games with her and troubles her. Will they get united?

Haridas (Thyagaraja Bhagavathar) is a vain individual who spends his life in luxury and lust ignoring his wife (Vasanthakokilam). But when his wealth is appropriated by a courtesan (T. R. Rajakumari), he realizes life's realities, reforms and spends the rest of his days serving his parents and God.

Sivakavi was a 1943 Indian Tamil-language film directed, initially, by P. K. Raja Sandow and later, S. M. Sriramulu Naidu. It starred M. K. Thyagaraja Bhagavathar, S. Jayalakshmi, Serukulathur Sama, Thripuramba, T. R. Rajakumari, N. S. Krishnan and T. A. Madhuram. The film's screenplay was written by Thiru Muruga Kirubanandha Variyar. The film was shot at Central Studios and released by Pakshiraja Films in Coimbatore.

After losing his entire wealth to a courtesan, Kovalan returns to his wife, Kannagi. She offers him her last piece of jewellery to help him but he is falsely accused of theft and beheaded by the king.

Based on age-old Buddhist folklore connected with Mauryan Emperor Ashoka's son Kunal.

Kathavarayan is rejected by celestial girl named Ilankanni, but he tries to make her fall in love with him anyway.

Based on 'Vishnu Purana', the film deals with the story of Prahlada and his devotion to Lord Vishnu.

Thiruneelakantar is a 1939 Tamil-language film directed by Raja Sandow and starring M. K. Thyagaraja Bhagavathar. The film was a big hit and was known for M.K. Thyagaraja Bhagavathar's acting apart from his songs. Famous nadaswaram artist T. N. Rajarathinam Pillai makes a guest appearanace in the movie.The film was based on the life history of Thiruneelakanta Nayanar, one of the 63 Nayanmars.

The film is based on a story set in the Chola Empire in year 1083 AD. The titular character in the story is Ambikapathy (M K. Thyagaraja Bhagavathar), the son of the Tamil poet Kambar (Serugulathur Sama) who is in love with the Chola princess and daughter of Kulothunga Chola, Amaravati (played by M. R. Santhanalakshmi). The king objects to their love and insists on testing Ambikapathy's literary mettle before judging his worth. The test given to Ambikapathi is that he should write and sing a hundred poems in the field of Puram (dealing with war and politics). The poems should not have any reference to the field of Aram (dealing of love and romance). Ambikapathi begins the test in the King's court with a Kadavul Vaazhthu (invocation to God). Amaravathi who is keeping the count, mistakes the invocation as a poem and counts it as poem number one.

Bagavathar's next film was his first own production film under the banner Trichy Thyagaraja Films, "Sathyaseelan" (1936). The film had the novel.