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Yaaro Ezhuthiya Kavithai (English : Poem that was written by someone) is a 1986 Tamil-language Indian feature film directed by C. V. Sridhar, starring Sivakumar, Jayashree in lead roles.
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A middle-class family living a decent life suddenly come across an unexpected luxury that costs them an unwanted change in their life.
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Suddenly a thief named "Nidhiram Sardar" totally changed the life of Kolkata police. He theft from the dishonest businessman and distributed them to the poor. Mr. Gangaram an importer-exporter also faced the same at Hotel Love Bird. The owner of the hotel Sitesh Pyne a whimsical, high profile criminal become very anxious about the incident. On the other side Jamini, a young, smart girl is the only earning member of a middle class family suddenly faces some problem. Some unknown antisocial follows her regularly. In such a situation, she asks for help from Ram Prasad Singha. Ram Prasad who is a reputed singer as well as a bold man with his own values tries to reveal the problem. He puts his every effort and solves the case with the help of his relative Mallik and old friend Sanjay.
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A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.
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A political activist escapes the prison van and is sheltered in a posh apartment owned by a sensitive young woman. Both are rebels: the activist against political treachery and the other on social level. Both are bitter about badly organized state of things. Being in solitary confinement, the fugitive engages himself in self-criticism and, in the process, questions the leadership. Questions are not allowed, obeying that is mandatory. Displeasure leads to bitterness, bitterness to total rift. The struggle has to continue, both for the political activist, now segregated, and the woman in exile.
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1970년대 벵골. 생계를 위해 고군분투하는 서민 남녀와 부유하고 유명한 이들이 서민들의 참상을 모르고 인생을 즐기는 모습을 단편으로 소개한다.
