Salvador Terroba

Santo battles the Strangler.

An anthropologist goes to the mountains to study the problems of the indigenous people and finds out that they are being dispossessed of their lands.

Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.

Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.

Some unlucky accidents cause an innocent person to be convicted to jail time, and on release he can only find gainful employ in a criminal gang... but a little girl in a house he breaks into rehabilitates him with her innocence and simplicity. And stuff.

Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.

The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.

브뉘엘의 또 다른 영화 "트리스티나"의 원저자이자, 톨스토이, 발작, 졸라, 디킨스와 비유되는 위대한 스페인 작가인 베니토 페레스 갈도스의 원작 소설을 각색한 작품. 브뉘엘은 19세기 스페인을 배경으로 한 원작과는 달리 "나자린"의 배경을 독재 정권이 지배하던 19세기말의 멕시코로 옮겨 그리스도의 계율에 따라 엄격하게 살고자 하는 성직자의 퇴락의 과정을 심오하게 그리고 있다. 이 영화에서 브뉘엘은 성직자 또한 인간임을 보여준다. 그런 점에서 옥타비오 파스는 이 작품이 '인간의 조건을 드러냄과 동시에 그것을 넘어서는 방법을 보여준다. 나자리오는 신을 잃어버렸지만 사랑과 형제애를 발견한다'라고 평했다. 이 영화에 담긴 그리스도에 대한 헌신, 신앙, 희망, 고통과 인간에 대한 사랑과 형제애에 대한 모호성 때문에 성직자들은 이 영화를 종교적인 영화로 받아들였고, 무신론자들은 이 영화를 신성모독을 보여주는 대표작으로 손꼽고 있다.

The story of the doomed love between Soledad and Román. She is the daughter of a rich man that wants to marry her with Ernesto, nephew of his friend, the judge. Román owns a little ranch. A brawl in the town will unleash several deaths that will affect the already difficult relationship.

Inspired by Alexander Dumas's novel The Corsican Brothers, Alma de Acero presents a delightful spin on the classic story of twin brothers (both played by Luis Aguilar) and their contrasting lives. As a singer in a nightclub, one brother has chosen a life of peaceful simplicity; the other, however, has chosen a troublesome lifestyle that leads to numerous run-ins with the law, forcing the vocalist to risk his own life to save his sibling.

This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.

Cantinflas works as a model of tuxedos in a prestigious store, your job is to use the smoking in the street along with an advertising sign on his back. The use of smoking gives you access to exclusive places and meet important people. During this time, Cantinflas was the manager of an amateur boxer, it is an attractive nurse assistant and occasionally attending a priest in the church and the orphanage. However, a Cantinflas day while wearing tuxedo, is a rich man, who mistakenly believe that Cantinflas is a millionaire too.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

전직보안관 후커와 도박사 피스크 그리고 총잡이 테일러등 세 서부사나이는 미모의 부인 리아로부터 금광에 묻힌 남편을 구해주면 사례를 하겠다는 제의에 응한다. 그들은 이 여행이 매우 위험하고 오래 걸릴 거라는 걸 알았지만 거절하기엔 사례금이 너무 매혹적이었다. 악의 화원이라 불리는 인디언 지역에서 그들은 리아의 남편을 구하나 그가 다시 금광으로 돌아오다 인디언의 활에 맞아 죽는다. 험준한 산길에서 인디언의 습격을 받게 되자 피스크는 부인을 데리고 떠나라 하지만 서로 남겠다고 한다. 결국 제비를 뽑아 피스크는 남게 되고 후커는 부인을 데리고 떠난다.

A peasant who works in a mahogany camp in the Mexican jungles with his family is disgusted with the miserable living conditions imposed upon himself and his co-workers, the peasant finally spearheads a revolt against the sadistic bosses.

신혼 여행을 떠난 청년 올리베리오는 갑작스런 어머니의 임종 소식을 듣고 집으로 돌아온다. 어머니의 유언장을 작성할 공증인을 데려오기 위해 올리베리오는 버스를 타고 읍내로 향한다. 제정신이 아닌 버스 운전사, 올리베리오를 유혹하는 요염한 라켈, 그녀를 갈망하는 국회의원들 때문에 버스에서는 일대 소동이 일어나고 급기야 버스 운전사는 자신의 어머니 생일을 축하하기 위해 차를 멈춘다. 술에 잔뜩 취한 운전사를 대신해 올리베리오는 버스를 몰고, 버스에 동승한 라켈과 사랑을 나눈다.

Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gangster but a rival mobster will make things impossible for them.

A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.

Taxi driver takes the wrong passenger at the wrong time and gets caught up in a murder investigation.