Director of Photography
Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.
Director of Photography
Life is not easy for Laika, a dog on the outskirts of a big Russian city. She is caught and forcibly retrained to become a pioneer in astronautics. Soon after her lift-off into space, a number of animals follow that are hurriedly launched from Houston and Baikonur. The animals travel astray, but finally manage, with the help of a black hole, to colonize a faraway planet. After a short period of harmonious, undisturbed co-existence with indigenous life forms, however, first human cosmonaut run ashore on their planet, and their harmonious life, indeed their very survival, are suddenly in jeopardy.
Camera Operator
아카데미 음악상 수상자이자 영화 음악의 대가, 한스 짐머. 그의 프라하 공연 실황을 스크린에 담았다. 우리 귀에 익숙한 주옥같은 명곡의 향연, 그 황홀함에 푹 빠져보자.
Cinematography
MURDEROUS TALES is a special effect animated feature film combining live actors with 3D/2D animation, puppets and back projection. It contains three stories: Antonio Cacto, Lighthouse and The Big Man, plus three ultra-short films called Charge the Dragon. Each episode uses different production technology and is in a different genre, but both their form and their content are related. All the episodes are about double standards and the topics of heroism and death. Something very small meets something very big (a tiny knight meets a huge dragon, an old Mexican goblin meets a man, a tiny Professor meets real-life cows, two mobsters meet the Big Man). All these meetings result in the heroic death of the small principal characters. Each script sees heroism and death differently.
First Assistant Camera
Jolana (18) is an object of her step-father's desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?
