Filmed over two years, this new documentary takes an exclusive inside look at Tony-winning director Marianne Elliott’s creative process of bringing a reimagined gender-swapped production of Stephen Sondheim and George Furth’s musical Company to Broadway during the COVID-19 pandemic. Featuring rehearsal and performance footage, plus new interviews with Elliott, Sondheim, Katrina Lenk, Patti LuPone and members of the original 1970 cast, the broadcast tells the story of the show’s Broadway debut in a city on the verge of bankruptcy to its reimagination 50 years later as both Broadway and New York City emerge from one of the greatest crises in contemporary history.
To celebrate the 90th birthday of Broadway songwriting great Stephen Sondheim, an A-list group of performers sing songs of inspiration from his songbook in a concert event filmed in their homes. Hosted and co-produced by Raúl Esparza, the acclaimed one-night-only event was created as a benefit for ASTEP (Artists Striving to End Poverty).
The New York Philharmonic celebrates the dazzling orchestral world of Stephen Sondheim in a program hosted by Bernadette Peters, with special guest vocalist Katrina Lenk. Conducted by Alexander Gemignani, the concert features some of Sondheim’s most beloved works, including suites from Sunday in the Park, Into the Woods, Sweeney Todd and more.
Written by Pulitzer Prize-winner Paula Vogel, created by Ms. Vogel and Rebecca Taichman, and directed by Ms. Taichman, Indecent is about the love and passion to create theatre, even in the most difficult of circumstances. The play follows a troupe of actors, the cast of Sholem Asch’s God of Vengeance, who risked their lives and careers against enormous challenges to perform a work in which they deeply believed, at a time when art, freedom and truth were on trial. It is a story told with compassion and honesty, but also with great theatricality, and joyous songs and dances. The capture of Indecent was completed just prior to its final Broadway performance in August. Eight high-definition cameras captured every heartbreaking moment of this production at Broadway’s Cort Theatre.
Will you kill for a good story? If you are James Cooper, a 28 year old copy editor with dreams of literary stardom, you will. After all, your girlfriend was just crowned the "voice of a new America" by the New York literati, and you waste your days editing third-rate textbooks in a dreary Chicago basement. Your first book got panned. Your agent just dumped you. You have no future. But when your girlfriend's corpse ends up sprawled beneath your bedroom window, you finally know what to write about. Crime Fiction is the story of murder, betrayal and outrageous artistic fortune.
