Miguel Angel Caballero

Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner’s estranged son, Anthony, to tell him of his father’s passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father’s funeral. As family secrets are exposed, identities and perceptions are challenged.

Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner’s estranged son, Anthony, to tell him of his father’s passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father’s funeral. As family secrets are exposed, identities and perceptions are challenged.

Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner’s estranged son, Anthony, to tell him of his father’s passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father’s funeral. As family secrets are exposed, identities and perceptions are challenged.

A jealous wife kidnaps her cheating husband and his young secretary and holds them hostage in an isolated house in the desert; but divorce is the furthest thing from her mind.

An intimate portrait that tells the story of Anthony, a lonely history teacher, and his adopted daughter Luna. Unexpectedly Sam, his ex boyfriend, shows up one year after their separation looking for closure or perhaps trying to revive a relationship that once was.

An intimate portrait that tells the story of Anthony, a lonely history teacher, and his adopted daughter Luna. Unexpectedly Sam, his ex boyfriend, shows up one year after their separation looking for closure or perhaps trying to revive a relationship that once was.

An intimate portrait that tells the story of Anthony, a lonely history teacher, and his adopted daughter Luna. Unexpectedly Sam, his ex boyfriend, shows up one year after their separation looking for closure or perhaps trying to revive a relationship that once was.

거리에 그림을 그리는 예술가인 빈센트와 문신 디자이너인 루지는 짜릿하고 섹시한 만남을 가진다. 그러나 빈센트의 강박적인 전 여자친구 소피아는 그를 놓아줄 준비가 되어있지 않다.

American-born Jayne Valseca, her husband Eduardo, the son of a legendary Mexican newspaper publisher, and their two children live an idyllic life on their 1,000 acre ranch outside of a peaceful Mexico town. But in the summer of 2007, their peaceful life is turned into a real-life nightmare when Eduardo is ambushed and kidnapped by strangers. With kidnapping becoming a pervasive and lucrative business in Mexico, Jayne is at the mercy of the kidnappers when they demand millions for the husband's safe release. She's pushed to the limit to do everything she possibly can to raise the money necessary to bring Eduardo back alive. As Eduardo is starved and tortured, he looses hope of ever seeing his family again but despite the dire and bleak times, Jayne refuses to give up and decides to turn the tables on the kidnappers and makes demands of her own. The film is based on a true story from the book, We Have Your Husband: One Woman's Terrifying Story of a Kidnapping in Mexico.

5~6년 전, 콜롬비아 보고타에서 우연히 만난 존(브래드 피트)과 제인(안젤리나 졸리). 살인사건으로 검문당하던 제인은 존의 도움으로 무사히 빠져나가고 둘은 첫눈에 반해 사랑에 빠진다. 완벽한 외모와 성품을 가진 최고의 배우자를 만났다고 기뻐하는 두 사람. 그러나, 그것은 사상 최악의 잘못된 만남이었으니…바로 두 사람은 경쟁조직에 속한 일급킬러들이었던 것이다. 하지만 두 사람은 서로의 정체를 전혀 눈치채지도 못한 채 결혼에 골인한다. 그리고 5~6년 후… 겉보기엔 평온한 부부생활을 즐기는 존과 제인 부부. 매일 저녁 7시엔 꼭 함께 저녁식사를 하고, 정원을 가꾸고, 아침이 되면 나란히 차를 타고 출근한다. 하지만 그들이 회사에서 보내는 하루일과는 암살로 시작해 암살로 끝난다. 때로 야근에 특근도 있고 출장도 잦다. 이처럼 평범치 않은 신분의 존과 제인에게 아주 평범한(?) 위기가 닥친다. 바로 권태기에 빠지게 된 것. 처음 만났을때의 설레임은 도무지 찾아볼수가 없고 섹스도 거의 없는 이 부부는 이 심각한 상황을 벗어나기 위해 상담도 해보지만 별 소용이 없다. 그러던 중 조직으로부터 임무를 부여 받은 두 사람은 암살현장에서 예기치 않은 방해꾼을 발견한다. 그리고 상대를 제거하기 위해 총구를 겨눈 순간, 상대 킬러가 바로 자신의 배우자임을 알게 된다. 이 충격적인 사실로 혼돈스러운 것도 잠시, 임무실패에 대한 책임으로 두 사람은 각각 조직으로부터 48시간 내에 상대 킬러를 죽이라는 명령을 받는다. 이제 어제의 부부가 오늘 적이 되어 수단과 방법을 가리지 않고 서로를 죽이기 위해 쫓고 쫓기는 게임을 시작하는데…

On Halloween in West Hollywood, two guys making out in a park are interrupted by a serial killer. Later that night, a group of gay kids decide to visit to the site of the murders.