Robert Arnold

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.

터키의 이스탄불 거리 곳곳을 떠돌아다니는 개들의 시선을 통해 불안정한 삶의 의미에 대해 탐구한다. 음식과 쉼터, 친구를 찾아다니며 길 위의 삶을 사는 세 마리의 개 제이틴, 나자르, 카르탈의 눈과 귀를 통해 도시와 사람들의 친근한 이야기, 그리고 그동안 우리가 간과했던 사회의 구석진 부분이 화면에 펼쳐진다. 동물의 낯선 시선으로 계급, 인종, 성별로 나눠진 인간세계의 분열을 비판적으로 관찰하는 동시에 새로운 감각적 여행을 가능하게 한다. (서울환경영화제)

Each year, a father films his daughter on her birthday, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and awkward stages in between. Each phase is fleetingly captured but leaves an indelible mark. Her answers to her father’s questions are just a backdrop for a deeper story of parental love and independence.

A mind-boggling "coincidence" leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago.

A mind-boggling "coincidence" leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago.

A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman - a real life Lorax who speaks on behalf of nature under threat.

A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman - a real life Lorax who speaks on behalf of nature under threat.

Lydia is in anguish over her breakup with Frank. Haunted, sleepless, and desperate, she agrees to a blind date set up by a friend. The man she meets, a handsome actor, is used to having women fall in love with him. Attracted by his intelligence and naive gamesmanship, Lydia enters into a deadly serious bargain with the 'professional liar' trying to seduce her: She do whatever he asks as he tries to make her fall in love with him. As they 'go through the motions' of being lovers, they interrogate their own frustrated desires and masochistic dynamic in witty and wounded dialogue. Perhaps history can repeat itself, but to what end?

Three teenagers battle their way through the world of competitive ping pong with their hearts set on the Olympics.

Filmmakers James Franco and Travis Mathews re-imagine the lost 40 minutes from "Cruising" as a starting point to a broader exploration of sexual and creative freedom.

Filmmakers James Franco and Travis Mathews re-imagine the lost 40 minutes from "Cruising" as a starting point to a broader exploration of sexual and creative freedom.