Aaron Mirkin

편찮으신 할머니와 살고 있는 고아 소년 파루크는 주로 고철 조각을 모으거나 사소한 범죄들을 저지르며 매일을 보낸다. 어느 날 그는 정치권력을 가진 부유한 집안의 소심한 십대 소녀 모나를 만나게 된다. 모나는 더 이상 견딜 수 없을 정도로 지독한 집에서 뛰쳐나오기를 꿈꾸고, 피난처를 찾는다. 그러다 그녀와는 전혀 다른 세상에서 온 파루크에게 마음을 열게 된다.

Two young women survive a vicious attack and begin to see themselves differently, believing they might be werewolves.

A lonely boy dreams after school.

Canadian actor and filmmaker Connor Jessup (Closet Monster, Falling Skies) profiles Apichatpong Weerasethakul, a maverick of Thai cinema who explores the slippery nature of time and consciousness with a sublimely idiosyncratic, often surreal approach to film form.

Wayward Canadian, Matthew, crushed by the isolation of being new to Berlin, turns his sexual desires toward Matthias that spiral into a dark fixation of assumed identity. Soon, this obsessive power struggle between the two, careens toward brutal passion and violence in a bid for dominance.

After a two-year absence and a recent stint in rehab, Fran returns home to Toronto. Struggling to live soberly for the first time in her adult life, she must face the emotional fallout of her disappearance and make amends with the girlfriend and the brother she left behind.

A family's daily lives are affected by a recent event.

A family's daily lives are affected by a recent event.

After the suicide of his best friend, a teenage boy is forced to deal with his guilt and sexuality.

After the suicide of his best friend, a teenage boy is forced to deal with his guilt and sexuality.

In a little house all for herself, an elderly woman moves through her day. While she tends to every chore on the docket, we learn some things about her. She has a green thumb, she speaks Polish while on the phone, she likes to nap. A prayer sounds. They are words from her mother-in-law, Polish poet Zofia Bohdanowiczowa, who was also displaced from her native Poland. Three generations meet, one by writing, one by living, and the third by the very making of this film, a composition of her ancestors through sound and image.

In the minutes that it takes for a day to lose itself to darkness, we see a house that has suddenly become empty. It is the home of Maria, who has recently passed, and who has left her mark in every corner of every room. A portrait of absence is also an attempt to resurrect the dead, perhaps even a moment of magical thinking. The winter outside is well settled, snow accompanies each thought. Based on a poem by Zofia Bohdanowiczowa.

We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.

We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.