Screenplay
Female police officer Pak Yik-wah poses as a cleaner and works in a fitness centre to gather evidence of the trainer Henry Fung's criminal activities. In the company of sister Yik-mui, the detective attends the centre's anniversary ball where she meets and falls in love with Man Hing-cheong, a well mannered guest with an elegance about him. But Yik-wah is forced to quit when her conservative father Yau-yu finds out about her moonlighting activities. To help the crime leader Wu Hung evade the police, Henry hatches a plan to murder Yau-yu who, like the wanted man, has a mole on his sole. When the sisters come under attack from a mob of gangsters following Yau-yu's disappearance, Man arrives to save the day and reveals his undercover identity. The operative hot on the heels of Wu joins hands with the sisters and lays siege to the gangster's hideout in a heroic effort to rescue the hostage and wipe out the gang.
Director
Female police officer Pak Yik-wah poses as a cleaner and works in a fitness centre to gather evidence of the trainer Henry Fung's criminal activities. In the company of sister Yik-mui, the detective attends the centre's anniversary ball where she meets and falls in love with Man Hing-cheong, a well mannered guest with an elegance about him. But Yik-wah is forced to quit when her conservative father Yau-yu finds out about her moonlighting activities. To help the crime leader Wu Hung evade the police, Henry hatches a plan to murder Yau-yu who, like the wanted man, has a mole on his sole. When the sisters come under attack from a mob of gangsters following Yau-yu's disappearance, Man arrives to save the day and reveals his undercover identity. The operative hot on the heels of Wu joins hands with the sisters and lays siege to the gangster's hideout in a heroic effort to rescue the hostage and wipe out the gang.
Director
A child learns martial arts in order to become a Kung Fu warrior. Features the Seven Little Fortunes, and is the debut film of Jackie Chan.
Screenplay
Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures. The composited special effects in the film are fascinating: the horizontal ancient well, the giant hand controlled by electricity, the grand palace and the incredible mountain ranges embellish an Aladdin-like story. After its first run in cinemas, this film enjoyed popular second runs, matinees and numerous screenings on television, entertaining many generations of Hongkongers.
Director
Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures. The composited special effects in the film are fascinating: the horizontal ancient well, the giant hand controlled by electricity, the grand palace and the incredible mountain ranges embellish an Aladdin-like story. After its first run in cinemas, this film enjoyed popular second runs, matinees and numerous screenings on television, entertaining many generations of Hongkongers.
Screenplay
Hong Kong horror.
Director
Hong Kong horror.
Screenplay
Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.
Director
Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.
Director
A Chinese screen opera
Music
Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.
