Peter Rösner

Since the dawn of time, the inhabitants of the Alps have used their own language to overcome the distance imposed by the mountainous orography. Riafn is a sort of dialect based on the different forms used by the shepherds and farmers of this area to call their beasts. The inhabitants of the mountains have thus cadenced their day-to-day life on calls to animals, the mooing of the cows, songs and the echo of the mountain. A sort of Alpine orchestra that helped them to cope with isolation.

부처의 깨달음의 경지를 담아냈다는 만다라는 가장 완벽한 균형과 정형을 이루지만 티베트 승려들은 그 완성의 순간 손바닥으로 쓸어버리며 결국 이 또한 마음이 만들어낸 허구였음을 이야기한다. 8,000m 14개를 오르는 일은 산악인이라면 누구나 한 번쯤 이루고 싶어 하는 목표다. 하지만 그중 13개를 오르고 나머지 하나, 마나슬루는 절대 오르지 않겠다고 선언한 사람이 있다. 한스 캄머란더, 한때 메스너의 파트너로 세상의 스포트라이트를 받고 일약 스타덤에 올랐던 그가 마나슬루의 번쩍이는 섬광 속에 본 것은, 그리고 깨달은 것은 무엇이었을까. (2019년 제4회 울주세계산악영화제/이영준)

A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.

In the light of the current transformations within the global power structure, I WANT TO SEE THE MANAGER traces the linkage of economic ascent and decline in seven paradigmatic episodes. India, Bolivia, China, USA, Italy, Thailand, Venezuela - each place contains fragments of another; each episode bears testament to the hopes and fears of its protagonists. By juxtaposing these local experiences in the face of global economy, the film questions the notion of rise and decay.

In the light of the current transformations within the global power structure, I WANT TO SEE THE MANAGER traces the linkage of economic ascent and decline in seven paradigmatic episodes. India, Bolivia, China, USA, Italy, Thailand, Venezuela - each place contains fragments of another; each episode bears testament to the hopes and fears of its protagonists. By juxtaposing these local experiences in the face of global economy, the film questions the notion of rise and decay.

Two men who do not know each other: Ertan, a 35-year-old ex-convict who is trying to make amends for his past actions, and Mikail, a teenager drug dealer and aspiring musician. However, both will have to face the same reality.